by Maureen McQuerry ‧ RELEASE DATE: May 12, 2015
Uneven yet at moments exceedingly exciting: readers who stick through to the end will be looking for the next in the series.
Timothy James Maxwell and his friends continue their adventure in cosmic realms.
Think of The Dark is Rising and A Swiftly Tilting Planet: when Celtic forces of good, evil, and the fairy folk come together, snow flies, winds rise, and mere mortals are caught off balance. McQuerry dives right in, picking up where she left off in series opener Beyond the Door (2014). The one-eyed evil representative of the Dark, Balor, wreaks havoc on the Marketplace out of time, while armies of trees and birds join to beat back his reptile and insect forces. An enigmatic map and a Christmas (when “the Light comes into the world”) trip to Edinburgh set the stage for another mythic encounter between good and evil. McQuerry borrows freely for her tropes, tossing in ancient tales, the Scottish regalia, Macbeth’s Dunsinane, the Wild Hunt, and fairy folk with a great deal of scope and ambition. Though she slides distractingly from one point of view to another in early chapters, she sticks with young Timothy for most of the rest, engaging readers in his predicament and the web of cosmic tension. The overlap of mythical and present is nicely realized, with adults especially not what they seem, whether representative of good or evil.
Uneven yet at moments exceedingly exciting: readers who stick through to the end will be looking for the next in the series. (Fantasy. 9-13)Pub Date: May 12, 2015
ISBN: 978-1-4197-1494-8
Page Count: 368
Publisher: Amulet/Abrams
Review Posted Online: Feb. 15, 2015
Kirkus Reviews Issue: March 1, 2015
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More by Duane Armitage
BOOK REVIEW
by Duane Armitage & Maureen McQuerry ; illustrated by Robin Rosenthal
BOOK REVIEW
by Duane Armitage & Maureen McQuerry ; illustrated by Robin Rosenthal
BOOK REVIEW
by Shana Burg ‧ RELEASE DATE: June 12, 2012
Ultimately, Burg’s lyrical prose will make readers think about the common ground among peoples, despite inevitable...
Melding the colors of heartache and loss with painterly strokes, Burg creates a vivid work of art about a girl grieving for her recently deceased mother against a Third World backdrop.
Clare is not speaking to her father. She has vowed never to speak to him again. Which could be tough, since the pair just touched down in Malawi. There, Clare finds herself struck by the contrast between American wealth and the relatively bare-bones existence of her new friends. Drowning in mourning and enraged at the emptiness of grief, Clare is a hurricane of early-adolescent emotions. Her anger toward her father crackles like lightning in the treetops. She finds purpose, though, in teaching English to the younger children, which leads her out of grief. Burg’s imagery shimmers. “The girl talks to her mother in a language that sounds like fireworks, full of bursts and pops. She holds her hand over her mouth giggling.... She probably has so many minutes with her mother, she can’t even count them.” Her realization of the setting and appreciation for the Malawian people are so successful that they compensate for Clare's wallowing, which sometimes feels contrived.
Ultimately, Burg’s lyrical prose will make readers think about the common ground among peoples, despite inevitable disparities. (Fiction. 9-12)Pub Date: June 12, 2012
ISBN: 978-0-385-73471-4
Page Count: 256
Publisher: Delacorte
Review Posted Online: March 20, 2012
Kirkus Reviews Issue: April 15, 2012
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More by Shana Burg
BOOK REVIEW
by Shana Burg
by A.W. Jantha ; illustrated by Matthew Griffin ‧ RELEASE DATE: July 10, 2018
A bit of envelope-pushing freshens up the formula.
In honor of its 25th anniversary, a Disney Halloween horror/comedy film gets a sequel to go with its original novelization.
Three Salem witches hanged in 1693 for stealing a child’s life force are revived in 1993 when 16-year-old new kid Max completes a spell by lighting a magical candle (which has to be kindled by a virgin to work). Max and dazzling, popular classmate Allison have to keep said witches at bay until dawn to save all of the local children from a similar fate. Fast-forward to 2018: Poppy, daughter of Max and Allison, inadvertently works a spell that sends her parents and an aunt to hell in exchange for the gleeful witches. With help from her best friend, Travis, and classmate Isabella, on whom she has a major crush, Poppy has only hours to keep the weird sisters from working more evil. The witches, each daffier than the last, supply most of the comedy as well as plenty of menace but end up back in the infernal regions. There’s also a talking cat, a talking dog, a gaggle of costumed heroines, and an oblique reference to a certain beloved Halloween movie. Traditional Disney wholesomeness is spiced, not soured, by occasional innuendo and a big twist in the sequel. Poppy and her family are white, while Travis and Isabella are both African-American.
A bit of envelope-pushing freshens up the formula. (Fantasy. 10-15)Pub Date: July 10, 2018
ISBN: 978-1-368-02003-9
Page Count: 528
Publisher: Freeform/Disney
Review Posted Online: June 16, 2018
Kirkus Reviews Issue: July 1, 2018
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