The tale of Jewel’s determined struggle is moving but weakened by Maya’s bad case of savior-itis
A 13-year-old girl flees her abusive home to live secretly in her school.
Jewel tolerates her parents’ abuse, from the theft of her babysitting money to outright violence, in order to protect her developmentally disabled kid brother. When one of her dad’s drunken friends tries to rape her, her parents turn a blind eye. Jewel knows that she needs to run away for her own safety. She spends 10 days roughing it before she runs out of carefully hoarded food and returns to town—and to school. Jewel attends classes by day and sleeps in the art-room supply cupboard at night. Maya and Lily, two well-off girls, notice her odd behavior and seek her out. In alternating sections, Maya and Jewel share their perspectives on Jewel’s solo adventure. Though Maya’s aid is invaluable, it also leads to Jewel’s discovery by adults. Maya and Jewel, who both appear to be white, come from sharply different social classes. With no other poor families present in the story, the poverty of Jewel’s parents becomes inextricably tied to their abuse. Their bad grammar, cursing, cigarette smoking, motorcycles, and clothing (“way too young for a mother, cleavage,” thinks Maya) all paint a lazily stereotyped picture of criminal trash, in opposition to the kindly rich parents found elsewhere. When Jewel’s situation is wrapped up tidily, that frees Maya up for her next rescue project: a Syrian refugee.
The tale of Jewel’s determined struggle is moving but weakened by Maya’s bad case of savior-itis . (Fiction. 9-11)Pub Date: Aug. 7, 2018
ISBN: 978-1-77306-078-1
Page Count: 192
Publisher: Groundwood
Review Posted Online: June 24, 2018
Kirkus Reviews Issue: July 15, 2018
Contrived at some points, polemic at others, but a stout defense of the right to read.
A shy fourth-grader leads the revolt when censors decimate her North Carolina school’s library.
In a tale that is dominated but not overwhelmed by its agenda, Gratz takes Amy Anne, a young black bibliophile, from the devastating discovery that her beloved From the Mixed-up Files of Mrs. Basil E. Frankweiler has been removed from the library at the behest of Mrs. Spencer, a despised classmate’s mom, to a qualified defense of intellectual freedom at a school board meeting: “Nobody has the right to tell you what books you can and can’t read except your parents.” Meanwhile, as more books vanish, Amy Anne sets up a secret lending library of banned titles in her locker—a ploy that eventually gets her briefly suspended by the same unsympathetic principal who fires the school’s doctorate-holding white librarian for defiantly inviting Dav Pilkey in for an author visit. Characters frequently serve as mouthpieces for either side, sometimes deadly serious and other times tongue-in-cheek (“I don’t know about you guys, but ever since I read Wait Till Helen Comes, I’ve been thinking about worshipping Satan”). Indeed, Amy Anne’s narrative is positively laced with real titles that have been banned or challenged and further enticing teasers for them.
Contrived at some points, polemic at others, but a stout defense of the right to read. (discussion guide) (Fiction. 9-11)Pub Date: Aug. 29, 2017
ISBN: 978-0-7653-8556-7
Page Count: 256
Publisher: Starscape/Tom Doherty
Review Posted Online: June 4, 2017
Kirkus Reviews Issue: June 15, 2017
A quick pull on a reliable, if not exactly minty-fresh, formula.
Walliams drills into a primal fear with this tale of a new dentist with a decidedly evil agenda.
In a blatant grab at Roald Dahl fans, the author pulls out a cast of cheeky children, thoroughly rotten villains, and clueless but well-meaning grown-ups for a Brit-flavored romp that combines moments of intense terror and bracing courage with biting satire—oh, and gruesome bits. Ross offers a plethora of loosely sketched ink-and-wash vignettes generally indistinguishable from Quentin Blake’s. All over town, children have been putting lost teeth beneath their pillows and, instead of money, getting cat poo, oozing scabs, and like rewards. Worse yet, following shocked comments about the state of 12-year-old Alfie’s “teet,” canny Winnie, a flamboyant new West Indian social worker, tricks the lad into visiting the newly arrived (with her cat, Fang) dentist, Miss Root. Alfie regains consciousness with nary a tooth in his mouth—it seems that Miss Root is the Tooth Witch herself. She’s not to be stopped, either, without help from new, dreadlocked friend (not girlfriend) Gabz, a vat of acid with revolting ingredients (carefully listed), and lots of dynamite. Walliams spritzes the narrative with made-up but not particularly inventive words and large-type screaming. Winnie, dark-skinned Gabz (short for Gabriella), and newsagent Raj are the only notable nonwhite characters; Winnie’s accent is an unfortunate running joke.
A quick pull on a reliable, if not exactly minty-fresh, formula. (pictorial cast list) (Horror. 9-11)Pub Date: March 1, 2016
ISBN: 978-0-06-241704-6
Page Count: 448
Publisher: Harper/HarperCollins
Review Posted Online: Nov. 16, 2015
Kirkus Reviews Issue: Dec. 1, 2015
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