Fans of art history, Paris and contemporary Künstleroman like Girl With a Pearl Earring will enjoy the new perspective and...
Manet’s muse ponders color, power, sex and love in vibrant 1860s Paris.
Based on the true relationship between artist Edouard Manet and model Victorine Meurent and set on the cusp of the impressionist revolution, Gibbon’s (Thief, 2010, etc.) novel explores this landmark time in art history through the eyes of the artist’s subject. Victorine lives and works with her best friend, Denise, for whom she harbors some secret attraction, until one day they encounter a mysterious and seductive stranger who turns out to be the famous painter. At first he seems interested in having both girls together (artistically and sexually), but it is Victorine, the quiet one, who harbors great hunger (both artistic and sexual), who sleeps with him and then leaves her friend and her old life in order to become Manet’s model, ultimately inspiring his Olympia. But Victorine, like any modern heroine, refuses to serve as mere object or even as mere inspiration. Instead, it is suggested that she's responsible for triggering the creative use of color that came to define the art of this period. Her voice is sometimes immature, but she's only 17, and her self-awareness and sexual awareness are both engaging and deep. Gibbon writes in a rather fragmented style, with short chapters that often end on a “poetic” statement. (“Whatever my body wants, I give her. Bitter things as well as sweet.”) Sometimes this makes the novel feel a bit spacey, but the overall effect is lyrical and fits the shabbily gorgeous Parisian setting. There's a lot of sex, but it tends to be tasteful and concerned with equal pleasure, and it’s more hinted at than described in detail.
Fans of art history, Paris and contemporary Künstleroman like Girl With a Pearl Earring will enjoy the new perspective and the strong female voice.Pub Date: April 20, 2015
ISBN: 978-0-393-24446-5
Page Count: 224
Publisher: Norton
Review Posted Online: Jan. 21, 2015
Kirkus Reviews Issue: Feb. 1, 2015
BOOK REVIEW
BOOK REVIEW
A deeply satisfying novel, both sensuously vivid and remarkably poignant.
Norwegian novelist Jacobsen folds a quietly powerful coming-of-age story into a rendition of daily life on one of Norway’s rural islands a hundred years ago in a novel that was shortlisted for the 2017 Man Booker International Prize.
Ingrid Barrøy, her father, Hans, mother, Maria, grandfather Martin, and slightly addled aunt Barbro are the owners and sole inhabitants of Barrøy Island, one of numerous small family-owned islands in an area of Norway barely touched by the outside world. The novel follows Ingrid from age 3 through a carefree early childhood of endless small chores, simple pleasures, and unquestioned familial love into her more ambivalent adolescence attending school off the island and becoming aware of the outside world, then finally into young womanhood when she must make difficult choices. Readers will share Ingrid’s adoration of her father, whose sense of responsibility conflicts with his romantic nature. He adores Maria, despite what he calls her “la-di-da” ways, and is devoted to Ingrid. Twice he finds work on the mainland for his sister, Barbro, but, afraid she’ll be unhappy, he brings her home both times. Rooted to the land where he farms and tied to the sea where he fishes, Hans struggles to maintain his family’s hardscrabble existence on an island where every repair is a struggle against the elements. But his efforts are Sisyphean. Life as a Barrøy on Barrøy remains precarious. Changes do occur in men’s and women’s roles, reflected in part by who gets a literal chair to sit on at meals, while world crises—a war, Sweden’s financial troubles—have unexpected impact. Yet the drama here occurs in small increments, season by season, following nature’s rhythm through deaths and births, moments of joy and deep sorrow. The translator’s decision to use roughly translated phrases in conversation—i.e., “Tha’s goen’ nohvar” for "You’re going nowhere")—slows the reading down at first but ends up drawing readers more deeply into the world of Barrøy and its prickly, intensely alive inhabitants.
A deeply satisfying novel, both sensuously vivid and remarkably poignant.Pub Date: April 7, 2020
ISBN: 978-1-77196-319-0
Page Count: 272
Publisher: Biblioasis
Review Posted Online: Jan. 12, 2020
Kirkus Reviews Issue: Feb. 1, 2020
In Clavell's last whopper, Tai-pan, the hero became tai-pan (supreme ruler) of Hong Kong following England's victory in the first Opium War. Clavell's new hero, John Blackthorne, a giant Englishman, arrives in 17th century Japan in search of riches and becomes the right arm of the warlord Toranaga who is even more powerful than the Emperor. Superhumanly self-confident (and so sexually overendowed that the ladies who bathe him can die content at having seen the world's most sublime member), Blackthorne attempts to break Portugal's hold on Japan and encourage trade with Elizabeth I's merchants. He is a barbarian not only to the Japanese but also to Portuguese Catholics, who want him dispatched to a non-papist hell. The novel begins on a note of maelstrom-and-tempest ("'Piss on you, storm!' Blackthorne raged. 'Get your dung-eating hands off my ship!'") and teems for about 900 pages of relentless lopped heads, severed torsos, assassins, intrigue, war, tragic love, over-refined sex, excrement, torture, high honor, ritual suicide, hot baths and breathless haikus. As in Tai-pan, the carefully researched material on feudal Oriental money matters seems to he Clavell's real interest, along with the megalomania of personal and political power. After Blackthorne has saved Toranaga's life three times, he is elevated to samurai status, given a fief and made a chief defender of the empire. Meanwhile, his highborn Japanese love (a Catholic convert and adulteress) teaches him "inner harmony" as he grows ever more Eastern. With Toranaga as shogun (military dictator), the book ends with the open possibility of a forthcoming sequel. Engrossing, predictable and surely sellable.
Pub Date: June 23, 1975
ISBN: 0385343248
Page Count: 998
Publisher: Atheneum
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: June 1, 1975
BOOK TO SCREEN
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