Reverently remembers Miller’s contributions to the city of Riverside as well as to his life’s work: the Mission Inn.
A focused, meticulously researched biography about Mission Inn hotelier Frank Augustus Miller.
“He is a live wire—a dreamer—a doer—a thinker—a planner—an idealist and a practicalist all combined.” These words about Miller, uttered by a friend, encapsulate the many sides to the Master of the Mission Inn, as he came to be known. From humble beginnings in Tomah, Wisconsin, the industrious Miller turned his family home into the luxurious Mission Inn in Riverside, California, over the course of 50 years. Miller, who arrived with his family in Riverside in 1874 at the age of 17, scrupulously maintained a diary that shed keen insight into his real-time feelings. These personal reflections—the book’s most rewarding section—illuminate his early fears, ambitions, love interests and struggles with temptations. An unwavering moralist, Miller held deeply ingrained religious values, and his desires for Riverside were held to this standard as his influence in town blossomed. Core values of generosity and charity became his lifelong compass and explain much of the ecclesiastical decorations that came to dominate the Mission Inn. Miller’s curiosity and energy never waned; he constantly sought wares far and wide to enhance the Mission Inn’s worldly aura. Stories about how Miller obtained some of the Mission Inn’s most unique pieces—including six Tiffany stained-glass chapel windows and a myriad of Japanese artifacts—are richly described. The Tiffany windows, as with much of the aesthetic at the Mission Inn, were influenced by the women in Miller’s life, and the story rightfully praises their often unheralded contributions. Hailed as the “first citizen” of Riverside, Miller had a journey parallel to the city’s progression; their histories can’t be untwined, and tracing Miller’s life allows for a comprehensive look into Riverside’s evolution from a pioneer town in the West to a modern, budding city. As a direct result of Miller’s dedicated work, the Mission Inn is Riverside’s greatest example of culture, prosperity and longevity.
Reverently remembers Miller’s contributions to the city of Riverside as well as to his life’s work: the Mission Inn.Pub Date: Jan. 20, 2014
ISBN: 978-0-9762785-1-1
Page Count: 478
Publisher: Ashburton Publishing
Review Posted Online: April 7, 2014
Kirkus Reviews Issue: May 15, 2014
Review Program: Kirkus Indie
From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)
Pub Date: Nov. 1, 1992
ISBN: 0-374-17563-2
Page Count: 192
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1992
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.
A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.
In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.Pub Date: April 21, 2020
ISBN: 978-0-300-23222-6
Page Count: 304
Publisher: Yale Univ.
Review Posted Online: Feb. 8, 2020
Kirkus Reviews Issue: March 1, 2020
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