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Jill Bash

Goth girl meets The Nutty Professor meets The Terminator.

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Action and sci-fi go hand in hand as Jackson presents the high-octane adventures of a snarky teenage girl who sets out with her nerdy uncle to save the world from evil robots.

This raucous story charges out of the gate as misfit ninth-grader Jill Bash tells her class what she did for summer vacation—and a giant green eye peers through the window. Thus the stage is set for a fast-paced adventure, complete with secret agents and a government experiment that gives Jill superhuman strength. The capricious plot—which leaps from high school to the streets of San Francisco to a house in the country—is told mostly from Jill’s point of view, with italicized notes from Uncle Matt interspersed throughout. Angry because her hardworking parents have little time to spend with her, Jill, who wears combat boots with black-and-pink lipstick, is forced to spend time with Uncle Matt. She soon discovers that dorky Uncle Matt the accountant is actually a spy who does cool things, like jumping into the back of a speeding truck to battle the bad guys. Jill takes suburban angst to a whole new bratty level: she calls her uncle a “turd” and spitefully wipes boogers inside his car. Her voice doesn’t always sound like a young teen’s, as when she describes Uncle Matt’s new truck: “The truck roared like a showroom vehicle with a deep and steady push coming from its dual chrome-tipped exhaust pipes.” Likewise, as in plenty of action flicks, the characters’ witty banter can be unrealistically flippant during death-defying moments. For example, after a giant metal saw blade comes out of nowhere and rips through their car, Jill removes her earbuds and proclaims, “Beyoncé rocks!”  The story doesn’t seem too concerned with deep characterization or even a plausible plot, but the nearly nonstop action still keeps the pages turning. Young teens who love zany adventures will want to check this one out.

Goth girl meets The Nutty Professor meets The Terminator.

Pub Date: March 28, 2014

ISBN: 978-1-4959-5913-4

Page Count: 162

Publisher: CreateSpace

Review Posted Online: Oct. 9, 2015

Kirkus Reviews Issue: Nov. 1, 2015

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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