In his last finished work, Sendak tips a cap to intellectual and artistic influences, but he puts his own unique stamp on a lyrical flight that looks toward a reunion with Jack, his long-dead brother.
As vivid and surreal as a dream, the narrative begins with the separation of Jack—catapulted to “continents of ice” where “[h]is poor nose froze”—and Guy, who lands “[o]n soft Bohemia” to be consumed by a hulking bear after posing his brother’s fate as a “sad riddle.” “Diving through time so vast—sweeping past paradise,” Guy emerges at last into a mystical springtime where he finds Jack entwined in roots and “veiled blossoms.” Guy bites Jack’s nose “to be sure” and hearing his brother’s sighed “Just lost—when I am saved!” enfolds him tenderly, whispering “Good night / And you will dream of me.” In the small, loosely brushed paintings on each facing page, he depicts the brothers, reminiscent of William Blake’s diaphanously gowned figures. Befitting the surreal textual imagery, they float in twisted postures amid stars and organic billows of moonlit clouds and landscape or lie together beneath canopies of greenery. The literary references (to Shakespeare, Keats, Emily Dickinson and others) may escape many, but they are secondary to the book’s impact. The sharply felt humor and yearning that infuse both the verbal and visual narratives will kindle profound emotional responses in hearts of any age. (introduction by Stephen Greenblatt) (Illustrated poem. All ages)
Pub Date: Feb. 5, 2013
ISBN: 978-0-06-223489-6
Page Count: 32
Publisher: Michael di Capua/HarperCollins
Review Posted Online: Nov. 17, 2012
Kirkus Reviews Issue: Dec. 1, 2012
Readers are often promised unforgettable protagonists—this memoir delivers one.
Abbas and his mother are about to board a plane for Turkey when authorities order her to remain in post-Revolution Iran with his father, Karim; Abbas, at Karim’s insistence, flies alone to Istanbul to stay and apply for a British visa—he is 9.
Abbas doesn’t speak Turkish; a promised helper fails him; the fleabag hotel he’s deposited in is in a dangerous neighborhood. His intelligence, resilience and cocky charm help (though he owes more to luck and the kindness of strangers). He survives—barely. Karim’s lessons (be wary of strangers, change currency on the black market, eat just one meal a day to save money) go only so far. Here, everyone’s a stranger. Abbas must learn to tell friend from foe. Kazerooni doesn’t dilute harsh events or assign them benign meanings retroactively—there’s no “everything happens for a reason.” Abbas’ anguish and fear, his repeatedly dashed hopes are wrenching. Yet whether he’s crushed or elated, the story itself is uplifting; readers will feel exhilarated when he solves a problem or makes the important discovery that what terrifies him—his vulnerability—is his biggest asset, bringing him notice from kindly adults who offer help. Other accounts of displaced children—China’s “paper sons,” young Central American refugees—have borne witness to ways human-generated calamities harm their weakest victims, but seldom this convincingly. Although Abbas’ account can be harrowing, it is told plainly, and these are not, regrettably, uncommon experiences for children, making this both accessible to and suitable for a middle-grade audience.
Readers are often promised unforgettable protagonists—this memoir delivers one. (author’s note) (Memoir. 9-14)Pub Date: Oct. 21, 2014
ISBN: 978-1-4778-4783-1
Page Count: 224
Publisher: Skyscape
Review Posted Online: July 28, 2014
Kirkus Reviews Issue: Aug. 15, 2014
Growing up in Warsaw with Mr. Singer offers more than a day of pleasure to families who joined him In My Father’s Court, from which fourteen of these nineteen episodes are adapted. But the elevenish contemporary of “Itchele” who lacks the East European frame of reference that these autobiographical sketches demand may have trouble relating to the bittersweetness of the Hasidic upbringing as the lonely son of the rabbi of Krochmalna Street; to his mysterious joy-fear on contemplating the Cabala; to the esoteric character of his family’s Jewish orthodoxy; to the distance between Jew and Gentile so absolute and so very enduring…Mr. Singer’s words as Grandfather-storyteller are best read aloud and interpreted by a grandfather who shares his memories, who can communicate Singer’s hindsights with the authority and spirit of his insights, who can mediate between Singer’s remoteness to the child and his greatness. 9-11
Pub Date: Oct. 1, 1969
ISBN: 0374416966
Page Count: 240
Publisher: N/A
Review Posted Online: Oct. 4, 2011
Kirkus Reviews Issue: Oct. 1, 1969
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