A very clever, unpredictable little murder mystery with some bittersweet tones about the things we do for love.
Someone is killing young Madison May—over and over and over again.
Though he’s endlessly inventive and entertaining, Barry isn’t exactly prolific, so it's a welcome surprise to see a new novel arriving so soon after Providence (2020), his diverting space opera. This book isn’t completely out of his wheelhouse, featuring as it does some unsurprising rips in the space-time continuum, but it’s a little more grounded than usual, closer to a clever riff on unwanted resurrection, à la the movie Happy Death Day. The titular Maddie is a real estate agent in Queens when we meet her, trying to follow her profession’s primal rules (“Teeth, Tits, Hair”) when she meets potential buyer Clayton Hors, who not only identifies as some kind of otherworldly outsider, but also declares, “You know, I love you, Madison. In every world. Even when you don’t love me back.” Oh, and then promptly murders her. The only person who thinks this case is wonky is political reporter Felicity Staples of the Daily News, whose situation gets even stranger when a guy named Hugo Garrelly—who looks exactly like Clayton Hors—gives her a strange metal egg right before pushing her into the path of a moving subway train. In subsequent lives, Maddie is an up-and-coming actress or a TV weather girl or a waitress or a student—all ending in her murder by someone who can effortlessly move between the parallel worlds where she exists. Felicity is understandably disoriented when she too starts experiencing these different dimensions, in which her life is just a little bit different every time but she always remembers who and what she was before. It’s all very noodle-bending, time-travel–y science fiction, but Barry is playing with a very specific set of tropes, as Maddie notices just prior to one of her many demises: “Oh, she thought. It’s a horror movie.”
A very clever, unpredictable little murder mystery with some bittersweet tones about the things we do for love.Pub Date: July 6, 2021
ISBN: 978-0-593-08520-2
Page Count: 320
Publisher: Putnam
Review Posted Online: April 13, 2021
Kirkus Reviews Issue: May 1, 2021
A particularly nasty villain heightens the stakes in this thriller about a woman learning how to be her own hero.
An author is targeted by a fan who just can’t let her go.
Arden Bowie has had plenty of tragedy in her life, but now she’s finally on top. After her parents died when she was a teenager, she moved from Brooklyn to Ohio to live with her aunt, uncle, and cousins. She soon became part of their loving family and grew up to become a writer and bookseller. When her debut novel is published, she meets Dustin Dubecki at her first event. He showers her with praise, asks for writing advice, and wants to take her out for coffee. Arden tells herself he’s just a little awkward, but then he keeps showing up at her local events—and, even stranger, she’s sure she sees him lurking at her event in New York City. When he bursts into her apartment one night and assaults her, Arden’s calm life is shattered. Dustin gets a five-year sentence at a psychiatric facility; Arden spends most of that time rebuilding her sense of stability. Eventually, she moves to Oregon to start a new life where Dustin can never find her. But even though she has a beautiful home, a thriving career, a doting family, new friends, and even a potential love interest in a former cop named Gideon Riley, Arden can’t escape Dustin’s rage when his sentence is finally up. Roberts toggles between Arden’s point of view and Dustin’s, giving the reader occasional glimpses into his extremely twisted mindset. Although Arden’s attempts to escape Dustin are engrossing, the story stalls in the middle when far too many pages are dedicated to Arden purchasing and decorating a house. But the excitement picks back up when Dustin, a truly odious villain, re-enters the story. It’s also satisfying to see Arden grow into someone who refuses to be a victim, even as she deals with horrifying circumstances.
A particularly nasty villain heightens the stakes in this thriller about a woman learning how to be her own hero.Pub Date: May 26, 2026
ISBN: 9781250413581
Page Count: 432
Publisher: St. Martin's
Review Posted Online: April 20, 2026
Kirkus Reviews Issue: May 15, 2026
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
