War is hell but beautiful.

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BATTLE BORN

LAPIS LAZULI

Iraq War veteran Uriarte delivers a graphic novel about conflict and honor as the unstoppable Sergeant King confronts a ruthless enemy, entrenched bigotry, and inflexible protocols in the mountains of war-torn Afghanistan.

The villagers of the Sar-i Sang valley have mined the semiprecious stone lapis lazuli for generations. But when the Taliban finds value in the stone, they descend upon the peaceful villagers and force them into service. On the heels of the brutal organization is the U.S. Marine Corps, with plans to win the hearts and minds of the local population and restore U.S.–sanctioned order to the region. We follow the efforts of one platoon, specifically their sergeant, a massive man named King from the “Battle Born” state of Nevada, so named because it achieved statehood during the Civil War. The use of a touchstone as quintessential as the Civil War nods to the story’s interest in painting with a broad brush; between scenes of gorgeously illustrated and often graphic action, characters muse on how the guise of “civilization” has excused the most savage of acts and appeals to a morality higher than the rule of law. The archetypal nature of some characters can ring a bit hollow or familiar: King, an African American man, comes from a broken home; his white lieutenant with British parents has refined manners but no street smarts; the Southern white soldier is a Confederate flag–waving racist (there is liberal use of the n-word). Uriarte’s illustrations are lush and vivid, with an appealing manga-tinted realism. The panels are often large, with frequent splash pages and some two-page spreads, showing the details of characters’ expressions or slowing the action to amplify drama. The effect is sumptuously cinematic with the depth of an action movie.

War is hell but beautiful.

Pub Date: May 12, 2020

ISBN: 978-0-316-44896-3

Page Count: 352

Publisher: Little, Brown

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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A strange, subtle, and haunting novel.

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THE GLASS HOTEL

A financier's Ponzi scheme unravels to disastrous effect, revealing the unexpected connections among a cast of disparate characters.

How did Vincent Smith fall overboard from a container ship near the coast of Mauritania, fathoms away from her former life as Jonathan Alkaitis' pretend trophy wife? In this long-anticipated follow-up to Station Eleven (2014), Mandel uses Vincent's disappearance to pick through the wreckage of Alkaitis' fraudulent investment scheme, which ripples through hundreds of lives. There's Paul, Vincent's half brother, a composer and addict in recovery; Olivia, an octogenarian painter who invested her retirement savings in Alkaitis' funds; Leon, a former consultant for a shipping company; and a chorus of office workers who enabled Alkaitis and are terrified of facing the consequences. Slowly, Mandel reveals how her characters struggle to align their stations in life with their visions for what they could be. For Vincent, the promise of transformation comes when she's offered a stint with Alkaitis in "the kingdom of money." Here, the rules of reality are different and time expands, allowing her to pursue video art others find pointless. For Alkaitis, reality itself is too much to bear. In his jail cell, he is confronted by the ghosts of his victims and escapes into "the counterlife," a soothing alternate reality in which he avoided punishment. It's in these dreamy sections that Mandel's ideas about guilt and responsibility, wealth and comfort, the real and the imagined, begin to cohere. At its heart, this is a ghost story in which every boundary is blurred, from the moral to the physical. How far will Alkaitis go to deny responsibility for his actions? And how quickly will his wealth corrupt the ambitions of those in proximity to it? In luminous prose, Mandel shows how easy it is to become caught in a web of unintended consequences and how disastrous it can be when such fragile bonds shatter under pressure.

A strange, subtle, and haunting novel.

Pub Date: March 24, 2020

ISBN: 978-0-525-52114-3

Page Count: 320

Publisher: Knopf

Review Posted Online: Nov. 25, 2019

Kirkus Reviews Issue: Dec. 15, 2019

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When a book has such great comic timing, it's easy to finish the story in one sitting.

THE HONEY-DON'T LIST

A toxic workplace nurtures an intoxicating romance in Lauren’s (The Unhoneymooners, 2019, etc.) latest.

Rusty and Melissa Tripp are the married co-hosts of a successful home-makeover show and have even published a book on marriage. After catching Rusty cheating on Melissa, their assistants, James McCann and Carey Duncan, are forced to give up long-scheduled vacations to go along on their employers' book tour to make sure their marriage doesn’t implode. And the awkwardness is just getting started. Stuck in close quarters with no one to complain to but each other, James and Carey find that the life they dreamed of having might be found at work after all. James learns that Carey has worked for the Tripps since they owned a humble home décor shop in Jackson, Wyoming. Now that the couple is successful, Carey has no time for herself, and she doesn’t get nearly enough credit for her creative contribution to their media empire. Carey also has regular doctor’s appointments for dystonia, a movement disorder, which motivates her to keep her job but doesn’t stop her from doing it well. James was hired to work on engineering and design for the show, but Rusty treats him like his personal assistant. He’d quit, too, but it’s the only job he can get since his former employer was shut down in a scandal. Using a framing device similar to that of Liane Moriarty’s Big Little Lies, the story flashes forward to interview transcripts with the police that hint at a dramatic ending to come, and the chapters often end with gossip in the form of online comments, adding intrigue. Bonding over bad bosses allows James and Carey to stick up for each other while supplying readers with all the drama and wit of the enemies-to-lovers trope.

When a book has such great comic timing, it's easy to finish the story in one sitting.

Pub Date: March 24, 2020

ISBN: 978-1-9821-3864-6

Page Count: 320

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: Dec. 23, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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