War is hell but beautiful.
Iraq War veteran Uriarte delivers a graphic novel about conflict and honor as the unstoppable Sergeant King confronts a ruthless enemy, entrenched bigotry, and inflexible protocols in the mountains of war-torn Afghanistan.
The villagers of the Sar-i Sang valley have mined the semiprecious stone lapis lazuli for generations. But when the Taliban finds value in the stone, they descend upon the peaceful villagers and force them into service. On the heels of the brutal organization is the U.S. Marine Corps, with plans to win the hearts and minds of the local population and restore U.S.–sanctioned order to the region. We follow the efforts of one platoon, specifically their sergeant, a massive man named King from the “Battle Born” state of Nevada, so named because it achieved statehood during the Civil War. The use of a touchstone as quintessential as the Civil War nods to the story’s interest in painting with a broad brush; between scenes of gorgeously illustrated and often graphic action, characters muse on how the guise of “civilization” has excused the most savage of acts and appeals to a morality higher than the rule of law. The archetypal nature of some characters can ring a bit hollow or familiar: King, an African American man, comes from a broken home; his white lieutenant with British parents has refined manners but no street smarts; the Southern white soldier is a Confederate flag–waving racist (there is liberal use of the n-word). Uriarte’s illustrations are lush and vivid, with an appealing manga-tinted realism. The panels are often large, with frequent splash pages and some two-page spreads, showing the details of characters’ expressions or slowing the action to amplify drama. The effect is sumptuously cinematic with the depth of an action movie.
War is hell but beautiful.Pub Date: July 28, 2020
ISBN: 978-0-316-44896-3
Page Count: 352
Publisher: Little, Brown
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
An angry, powerful book seething with love and outrage for a community too often stereotyped or ignored.
Inspired by David Copperfield, Kingsolver crafts a 21st-century coming-of-age story set in America’s hard-pressed rural South.
It’s not necessary to have read Dickens’ famous novel to appreciate Kingsolver’s absorbing tale, but those who have will savor the tough-minded changes she rings on his Victorian sentimentality while affirming his stinging critique of a heartless society. Our soon-to-be orphaned narrator’s mother is a substance-abusing teenage single mom who checks out via OD on his 11th birthday, and Demon’s cynical, wised-up voice is light-years removed from David Copperfield’s earnest tone. Yet readers also see the yearning for love and wells of compassion hidden beneath his self-protective exterior. Like pretty much everyone else in Lee County, Virginia, hollowed out economically by the coal and tobacco industries, he sees himself as someone with no prospects and little worth. One of Kingsolver’s major themes, hit a little too insistently, is the contempt felt by participants in the modern capitalist economy for those rooted in older ways of life. More nuanced and emotionally engaging is Demon’s fierce attachment to his home ground, a place where he is known and supported, tested to the breaking point as the opiate epidemic engulfs it. Kingsolver’s ferocious indictment of the pharmaceutical industry, angrily stated by a local girl who has become a nurse, is in the best Dickensian tradition, and Demon gives a harrowing account of his descent into addiction with his beloved Dori (as naïve as Dickens’ Dora in her own screwed-up way). Does knowledge offer a way out of this sinkhole? A committed teacher tries to enlighten Demon’s seventh grade class about how the resource-rich countryside was pillaged and abandoned, but Kingsolver doesn’t air-brush his students’ dismissal of this history or the prejudice encountered by this African American outsider and his White wife. She is an art teacher who guides Demon toward self-expression, just as his friend Tommy provokes his dawning understanding of how their world has been shaped by outside forces and what he might be able to do about it.
An angry, powerful book seething with love and outrage for a community too often stereotyped or ignored.Pub Date: Oct. 18, 2022
ISBN: 978-0-06-325-1922
Page Count: 560
Publisher: Harper/HarperCollins
Review Posted Online: July 13, 2022
Kirkus Reviews Issue: Aug. 1, 2022
SEEN & HEARD
PERSPECTIVES
SEEN & HEARD
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
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