by Maya Ajmera ; Elise Hofer Derstine ; Cynthia Pon ‧ RELEASE DATE: Feb. 25, 2014
A medley perfectly tuned.
“We love music!”
In the tradition of previous photo essays such as Faith (2009), Our Grandparents (2010) and What We Wear (2012), Ajmera and her co-authors have here assembled a collection of charming photographs showing children enjoying music in 35 countries around the world. Some play instruments, like the Venezuelan girl practicing her violin on the title page. Others clap, dance, sing along and listen. On the Cook Islands, a girl with a flower crown blows a conch shell for a festival. In Scotland, a very young bagpiper marches at the Highland Games. Novice Buddhists blow long horns in a temple in Bhutan, and young Indonesians play together in a gamelan orchestra. Some are proud performers, others rapt in concentration; their enjoyment is evident. The selection of images is wide-ranging, and the underlying message, inclusive. On each spread, well-chosen and crisply reproduced photographs that vary in size are set against solid, colored backgrounds with a single sentence of text and identifying captions. The variety of musical instruments, traditional and improvised, will gladden the hearts of teachers and those who want to encourage their children’s appreciation for music. The backmatter includes a map, glossary and suggestions for readers’ own music-making.
A medley perfectly tuned. (Informational picture book. 4-8)Pub Date: Feb. 25, 2014
ISBN: 978-1-57091-936-7
Page Count: 32
Publisher: Charlesbridge
Review Posted Online: Dec. 23, 2013
Kirkus Reviews Issue: Jan. 15, 2014
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by Megan McDonald & illustrated by Peter H. Reynolds ‧ RELEASE DATE: March 13, 2012
This story covers the few days preceding the much-anticipated Midnight Zombie Walk, when Stink and company will take to the...
An all-zombie-all-the-time zombiefest, featuring a bunch of grade-school kids, including protagonist Stink and his happy comrades.
This story covers the few days preceding the much-anticipated Midnight Zombie Walk, when Stink and company will take to the streets in the time-honored stiff-armed, stiff-legged fashion. McDonald signals her intent on page one: “Stink and Webster were playing Attack of the Knitting Needle Zombies when Fred Zombie’s eye fell off and rolled across the floor.” The farce is as broad as the Atlantic, with enough spookiness just below the surface to provide the all-important shivers. Accompanied by Reynolds’ drawings—dozens of scene-setting gems with good, creepy living dead—McDonald shapes chapters around zombie motifs: making zombie costumes, eating zombie fare at school, reading zombie books each other to reach the one-million-minutes-of-reading challenge. When the zombie walk happens, it delivers solid zombie awfulness. McDonald’s feel-good tone is deeply encouraging for readers to get up and do this for themselves because it looks like so much darned fun, while the sub-message—that reading grows “strong hearts and minds,” as well as teeth and bones—is enough of a vital interest to the story line to be taken at face value.Pub Date: March 13, 2012
ISBN: 978-0-7636-5692-8
Page Count: 160
Publisher: Candlewick
Review Posted Online: Dec. 13, 2011
Kirkus Reviews Issue: Jan. 1, 2012
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by Megan McDonald ; illustrated by Peter H. Reynolds
by Megan McDonald & illustrated by Peter H. Reynolds
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by Megan McDonald ; illustrated by Scott Nash
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by Megan McDonald ; illustrated by Katherine Tillotson
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by Megan McDonald ; illustrated by Peter H. Reynolds
by Caroline Adderson ; illustrated by Stéphane Jorisch ‧ RELEASE DATE: July 7, 2020
A rollicking tale of rivalry.
Sweet Street had just one baker, Monsieur Oliphant, until two new confectionists move in, bringing a sugar rush of competition and customers.
First comes “Cookie Concocter par excellence” Mademoiselle Fee and then a pie maker, who opens “the divine Patisserie Clotilde!” With each new arrival to Sweet Street, rivalries mount and lines of hungry treat lovers lengthen. Children will delight in thinking about an abundance of gingerbread cookies, teetering, towering cakes, and blackbird pies. Wonderfully eccentric line-and-watercolor illustrations (with whites and marbled pastels like frosting) appeal too. Fine linework lends specificity to an off-kilter world in which buildings tilt at wacky angles and odd-looking (exclusively pale) people walk about, their pantaloons, ruffles, long torsos, and twiglike arms, legs, and fingers distinguishing them as wonderfully idiosyncratic. Rotund Monsieur Oliphant’s periwinkle complexion, flapping ears, and elongated nose make him look remarkably like an elephant while the women confectionists appear clownlike, with exaggerated lips, extravagantly lashed eyes, and voluminous clothes. French idioms surface intermittently, adding a certain je ne sais quoi. Embedded rhymes contribute to a bouncing, playful narrative too: “He layered them and cherried them and married people on them.” Tension builds as the cul de sac grows more congested with sweet-makers, competition, frustration, and customers. When the inevitable, fantastically messy food fight occurs, an observant child finds a sweet solution amid the delicious detritus.
A rollicking tale of rivalry. (Picture book. 4-8 )Pub Date: July 7, 2020
ISBN: 978-1-101-91885-2
Page Count: 44
Publisher: Tundra Books
Review Posted Online: April 7, 2020
Kirkus Reviews Issue: May 1, 2020
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by Caroline Adderson ; illustrated by Roman Muradov
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by Caroline Adderson ; illustrated by Alice Carter
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