by Meg DesCamp ‧ RELEASE DATE: April 1, 1998
The education of a gardener, ultimately about as interesting as watching grass grow, from freelancer DesCamp. Before she moved with her husband into their Portland, Ore., home, the very idea of getting dirt under her nails was appalling to DesCamp. Her family were inveterate gardeners, and DesCamp just didn’t get it: Plants were plants, why the obsession? But her yard was a shambles, and slowly, grudgingly, she caught the bug, literally and figuratively. Her husband had sod laid on the back 40; she sowed her own grass in the front. She became versed in the ways of mushroom compost, steer manure, peat moss (“Peat moss. What the hell is peat moss?”). She learned a thing or two about the weather coming off the Pacific, and more than she ever wanted to know about the great gray garden slug, that prolific slimeball, which she plucked from the plants and hurled onto the street fronting her house. Admirably, she stays true to her sense of the organic—“I’m not a granola head with a different Guatemalan string bag for every social occasion . . . but I do think it’s important to leave the earth a little better, rather than a little worse, from my gardening efforts.” So she turns ladybugs loose on the aphids rather than a dose of metaldehyde, and composts, much to the appreciation of the local raccoon population. Unfortunately, there’s too much tedious everyday detail in this story: too many trips to the garden shop, too many garden books plowed through. Nor does DesCamp ever ruminate on the reasons—philosophical, physical, aesthetic—behind her conversion. What motivated this reluctant tiller of the soil, why are her nails now caked with mud? As her husband said to the pricey arborist, “We’ll get back to you on that.”
Pub Date: April 1, 1998
ISBN: 1-57061-044-4
Page Count: 208
Publisher: Sasquatch
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1998
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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