Workmanlike and less riveting than the subject matter.
Clayton’s (Beautiful Exiles, 2018, etc.) novel about the Kindertransport program joins the recent spate of Holocaust books (from All the Light We Cannot See to The Tattooist of Auschwitz) that allow readers to identity with heroes and survivors instead of victims.
The real-life heroine here is Truus Wijsmuller, the Dutch Christian woman instrumental in smuggling approximately 10,000 children out of the Reich and into England through the Kindertransport. The villain is the infamous Adolph Eichmann. Early in his career Eichmann authored the influential paper “The Jewish Problem,” about how to rid the Reich of Jews. After Germany took over Austria he landed a powerful position in Vienna. In 1938, Truus met with Eichmann, who offered what he assumed was an impossible deal: If she could arrange papers for exactly 600 healthy children to travel in one week’s time—on the Sabbath, when Jewish law forbids travel—he would allow safe passage. With help from British activists, Truus successfully made the arrangements and found refuge for all 600 children in England. Clayton intersects these historical figures and events with fictional characters trapped in Vienna. Aspiring playwright Stephan, 15 years old when the novel begins in 1936, comes from a wealthy Jewish family, manufacturers of highly prized chocolate candies. The Nazis strip ownership of the chocolate factory from Stephan’s father and hand it to Stephan’s Aryan Uncle Michael. A guilty collaborator torn between greed and love, Michael is the novel’s most realistically portrayed character, neither good nor entirely evil. Sensitive, brilliant, and precocious, Stephan is naturally drawn to equally sensitive, brilliant, and precocious Žofie-Helene, a math genius whose anti-Nazi father died under questionable circumstances and whose journalist mother writes the outspokenly anti-Nazi articles about actual events, like Britain’s limiting Jewish immigration and the invasion of Czechoslovakia, that punctuate the plot. After Kristallnacht Stephan ends up hiding in Vienna’s sewers (a weird nod to Orson Welles in The Third Man), and Žofie-Helene’s mother is arrested. Will Stephan and Žofie-Helene end up among the children Truus saves?
Workmanlike and less riveting than the subject matter.Pub Date: Sept. 10, 2019
ISBN: 978-0-06-294693-5
Page Count: 464
Publisher: Harper/HarperCollins
Review Posted Online: June 16, 2019
Kirkus Reviews Issue: July 1, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A deeply satisfying novel, both sensuously vivid and remarkably poignant.
Norwegian novelist Jacobsen folds a quietly powerful coming-of-age story into a rendition of daily life on one of Norway’s rural islands a hundred years ago in a novel that was shortlisted for the 2017 Man Booker International Prize.
Ingrid Barrøy, her father, Hans, mother, Maria, grandfather Martin, and slightly addled aunt Barbro are the owners and sole inhabitants of Barrøy Island, one of numerous small family-owned islands in an area of Norway barely touched by the outside world. The novel follows Ingrid from age 3 through a carefree early childhood of endless small chores, simple pleasures, and unquestioned familial love into her more ambivalent adolescence attending school off the island and becoming aware of the outside world, then finally into young womanhood when she must make difficult choices. Readers will share Ingrid’s adoration of her father, whose sense of responsibility conflicts with his romantic nature. He adores Maria, despite what he calls her “la-di-da” ways, and is devoted to Ingrid. Twice he finds work on the mainland for his sister, Barbro, but, afraid she’ll be unhappy, he brings her home both times. Rooted to the land where he farms and tied to the sea where he fishes, Hans struggles to maintain his family’s hardscrabble existence on an island where every repair is a struggle against the elements. But his efforts are Sisyphean. Life as a Barrøy on Barrøy remains precarious. Changes do occur in men’s and women’s roles, reflected in part by who gets a literal chair to sit on at meals, while world crises—a war, Sweden’s financial troubles—have unexpected impact. Yet the drama here occurs in small increments, season by season, following nature’s rhythm through deaths and births, moments of joy and deep sorrow. The translator’s decision to use roughly translated phrases in conversation—i.e., “Tha’s goen’ nohvar” for "You’re going nowhere")—slows the reading down at first but ends up drawing readers more deeply into the world of Barrøy and its prickly, intensely alive inhabitants.
A deeply satisfying novel, both sensuously vivid and remarkably poignant.Pub Date: April 7, 2020
ISBN: 978-1-77196-319-0
Page Count: 272
Publisher: Biblioasis
Review Posted Online: Jan. 12, 2020
Kirkus Reviews Issue: Feb. 1, 2020
These letters from some important executive Down Below, to one of the junior devils here on earth, whose job is to corrupt mortals, are witty and written in a breezy style seldom found in religious literature. The author quotes Luther, who said: "The best way to drive out the devil, if he will not yield to texts of Scripture, is to jeer and flout him, for he cannot bear scorn." This the author does most successfully, for by presenting some of our modern and not-so-modern beliefs as emanating from the devil's headquarters, he succeeds in making his reader feel like an ass for ever having believed in such ideas. This kind of presentation gives the author a tremendous advantage over the reader, however, for the more timid reader may feel a sense of guilt after putting down this book. It is a clever book, and for the clever reader, rather than the too-earnest soul.
Pub Date: Jan. 1, 1942
ISBN: 0060652934
Page Count: 53
Publisher: Macmillan
Review Posted Online: Oct. 17, 2011
Kirkus Reviews Issue: June 15, 1943
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