With abundant style and a tight, convincing story, Abbott provides a retro thrill ride that transcends its dated roots.



A chilling second novel from Edgar-nominated Abbott (Die a Little, 2005) spins the conventions of noir crime fiction into something fierce, fast and fresh.

Gil “Hop” Hopkins is on top of the world. The smooth-talker has parlayed his celebrity-magazine post into a studio publicity gig, giving him access to all the famous names and gorgeous starlets he desires. The year is 1951, and stars like Lana Turner and Robert Mitchum are lighting up the screen. Hop, however, is more involved with the smaller names. B-movie actresses like Barbara Payton keep getting themselves in trouble (Payton’s two lovers brawl publicly over her), and the studio counts on him to make everything nice, or at least keep it out of the press. This he does. But when an African-American actress named Iolene comes to him, scared and desperate, he brushes her off. She’s concerned about an old scandal, the disappearance of the beautiful Jean Spangler two years before. Her body was never found, but Hop and Iolene accompanied her on her last night, which ended at a shady club whose patrons sometimes engage in very rough play. Hop doesn’t want to revisit that night—hushing it up won him his job—but when Iolene goes missing, too, he finds he can’t let it go. Winnowing through the rumors, some of which he planted, makes him face some dark truths, but not before a whiz-bang adventure through Tinseltown’s underbelly. Abbott channels the great pulp authors without aping them. Cain and Chandler are evoked in the rough-and-tumble period language (Iolene is a “colored girl”) and standard noir slang (girls are “knockout[s]” with “endless gams”). But Abbott has her own voice, avoiding the genre’s macho conventions to evoke the young women who live “in a gasp of tension.”

With abundant style and a tight, convincing story, Abbott provides a retro thrill ride that transcends its dated roots.

Pub Date: Jan. 9, 2007

ISBN: 0-7432-9171-9

Page Count: 256

Publisher: Simon & Schuster

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Dec. 1, 2006

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Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.


Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 23, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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Creepy, violent, and propulsive; a standout gothic mystery.


Lady detective Bridie Devine searches for a missing child and finds much more than she bargained for.

Bridie Devine is no stranger to the seedy underworld of Victorian London. An accomplished detective with medical training, she sometimes helps the police by examining bodies to determine the cause of death. Bridie recently failed to find a lost child, and when she’s approached about another missing child, the daughter of Sir Edmund Berwick, she isn’t enthusiastic about taking on the case. But Christabel Berwick is no ordinary child. Sir Edmund has hidden Christabel away her whole life and wants Bridie to believe this is an ordinary kidnapping. Bridie does a little digging and learns that Christabel isn’t his daughter so much as his prized specimen. Sir Edmund believes Christabel is a “merrow,” a darker and less romanticized version of a mermaid. Bridie is skeptical, but there are reports of Christabel’s sharp teeth, color-changing eyes, and ability to drown people on dry land. Given that Bridie’s new companion is a ghost who refuses to tell her why he’s haunting her, Bridie might want to open her mind a bit. There’s a lot going on in this singular novel, and none of it pretty. Bridie’s London is soaked with mud and blood, and her past is nightmarish at best. Kidd (Mr. Flood’s Last Resort, 2018, etc.) is an expert at setting a supernatural mood perfect for ghosts and merrows, but her human villains make them seem mundane by comparison. With so much detail and so many clever, Dickensian characters, readers might petition Kidd to give Bridie her own series.

Creepy, violent, and propulsive; a standout gothic mystery.

Pub Date: Feb. 4, 2020

ISBN: 978-1-9821-2128-0

Page Count: 384

Publisher: Atria

Review Posted Online: Sept. 30, 2019

Kirkus Reviews Issue: Oct. 15, 2019

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