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SANYARE

THE LAST DESCENDANT

From the The Sanyare Universe series , Vol. 1

A flawed but often enjoyable adventure.

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A changeling among elves must solve a mystery and discover her past in this debut fantasy from Haskell.

Nuriel Lhethannien, or “Rie,” is an outsider. As a human in a dimension called the Upper Realm, she’s a second-class citizen to the ruling High Elves and she’s had to work hard to achieve the post of court messenger. Her foster parents, and a small swarm of pixies who accompany her on deliveries, are her only sources of affection. Her life changes abruptly when two blood sidhe from the Shadow Realm (beings who survive on human blood) assault her while she’s delivering a message to a powerful elf. Rie defeats her attackers with the help of her pixie pals and her foster father’s martial arts training, but then she faces another problem: any contact with Shadow Realm residents is punishable by execution in the Upper Realm. Rie must journey to the Shadow Realm in the hope of finding the assassins’ employers and somehow clearing her name. She finds a guide to the capital city in Braegan, a handsome blood sidhe with questionable intentions, and also meets Daenor, the illegitimate son of King Aradae and a deadly warrior. Daenor and Rie struggle with their growing, mutual attraction as her investigation draws her into a conflict between the realms. Her emerging magical abilities also force her to realize that she may not be as human as she thought. Many of the characters and tropes in this novel will be familiar to fantasy fans. However, Haskell also includes some unexpected touches, such as an inversion of usual dark-and-light imagery: Rie was taught that the Shadow Realm, with its vampiric residents and long nights, is evil incarnate, but she eventually comes to realize that it might be more functional and egalitarian than her own. Characterization is slight—Rie’s pluckiness, for example, is standard issue for the genre—and this results in wooden dialogue at times. But the plot is full of romantic and court intrigue, which results in a fun, light read overall.

A flawed but often enjoyable adventure.

Pub Date: May 6, 2015

ISBN: 978-0-9864083-2-8

Page Count: 306

Publisher: Trabuco Ridge Press

Review Posted Online: Dec. 29, 2016

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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