by Megan Maynor ; illustrated by Kate Berube ‧ RELEASE DATE: May 15, 2018
Dig into this playful, beachy read.
Lola’s beach day becomes more enjoyable when she gets a little help from some friends.
The opening text adopts a cumulative pattern, reading: “This is the sandcastle that Lola built. // This is the tall, tall tower / Of the sandcastle that Lola built.” Lola starts off her construction alone, but after she’s topped the tower with sea glass “that signals mermaids,” the narration is interrupted by Lola’s own words: “This is the foot—‘Hey! You stepped on my sandcastle!’ ” Lola immediately forgives the boy (called only “the dude with a Frisbee” or “Frisbee Dude”) who’s stepped on her sand castle and invites him to build with her. He adds a wall, and the cumulative text moves on…until it’s interrupted by the arrival of a toddler and his toy truck. This pattern continues, with lines added to the cumulative text as both the sand castle and the group of children building it get bigger. Then, Lola is bereft when a big wave destroys their creation, but her new friends convince her to build a new one, together. Berube’s illustrations, done in mixed media and collage, add visual humor and interest with their expressive depictions of the racially diverse children and background details—including mermaids hidden in clouds and sea. Lola has tan skin and straight, dark hair; Frisbee Dude has pale skin and curly, red hair, and the little toddler has medium brown skin and, adorably, no hair.
Dig into this playful, beachy read. (Picture book. 2-6)Pub Date: May 15, 2018
ISBN: 978-1-5247-1615-8
Page Count: 40
Publisher: Knopf
Review Posted Online: Feb. 12, 2018
Kirkus Reviews Issue: March 1, 2018
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by Kevin Jonas & Danielle Jonas ; illustrated by Courtney Dawson ‧ RELEASE DATE: March 29, 2022
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
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by James Yang ; illustrated by James Yang ‧ RELEASE DATE: July 23, 2019
The visual details invite interaction, making it a good choice for storytime or solo inspection.
It’s a quiet day, until….
“I have a bot!” An excited child’s happiness is short-lived, for the remote-controlled toy escapes its wireless tether and begins an ascent up the side of a skyscraper. The building’s doorman launches a race to recover the bot, and soon everyone wants to help. Attempts to retrieve the bot, which is rendered as a red rectangle with a propeller, arms, and a rudimentary face, go from the mundanity of a broom to the absurd—a bright orange beehive hairdo and a person-sized Venus’ flytrap are just some of the silly implements the building’s occupants use to try to rein in the bot. Each double-page spread reveals another level of the building—and further visual hijinks—as the bot makes its way to the top, where an unexpected hero waits (keep an eye out for falling bananas). The tall, narrow trim size echoes the shape of the skyscraper, providing a sense of height as the bot rises. Text is minimal; short declarations in tidy black dialogue bubbles with white courier-style typeface leave the primary-colored, blocky art to effectively carry the story. Facial expressions—both human and bot—are comically spot-on. The bot-owning child has light skin, and there are several people of color among those trying to rescue the bot. One person wears a kufi.
The visual details invite interaction, making it a good choice for storytime or solo inspection. (Picture book. 2-6)Pub Date: July 23, 2019
ISBN: 978-0-425-28881-8
Page Count: 40
Publisher: Viking
Review Posted Online: March 30, 2019
Kirkus Reviews Issue: April 15, 2019
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