More of the same, but here that’s a good thing.

STINK AND THE HAIRY SCARY SPIDER

From the Stink series

Stink returns to battle arachnophobia.

Judy Moody’s little brother, Stink, returns for another scientific adventure, this time battling his long-held fear of spiders. After crafting a jumping origami frog, Stink brings his project to the backyard to give it a test hop. Stink’s frog leaps out of sight, and while looking for it, Stink comes across a hairy, pink-toed spider. A timorous Stink seeks out Judy’s help to find his origami frog, and Judy does him one better: The siblings put in the work to cure Stink of his fear. Those familiar with the Judy Moody and Stink books will find more of the same here, with Reynolds’ broad, round illustrations accompanying McDonald’s charmingly optimistic characters. Newcomers will be able to slide in with ease; there’s no extensive backstory here to wade through—just some quirky kids dealing with a common fear. The reading level is pitched to those just beginning to dip their toes in the chapter-book pool. Judy and Stink are white, but there’s a bit of diversity in the supporting cast. The book includes origami instructions in its end pages.

More of the same, but here that’s a good thing. (Fiction. 7-11)

Pub Date: Sept. 8, 2020

ISBN: 978-1-5362-0920-4

Page Count: 160

Publisher: Candlewick

Review Posted Online: May 18, 2020

Kirkus Reviews Issue: June 1, 2020

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If not as effervescent as Roz’s first outing, it is still a provocatively contemplative one.

THE WILD ROBOT ESCAPES

Roz, a robot who learned to adapt to life among wild creatures in her first outing, seeks to return to the island she calls home.

Brown’s sequel to The Wild Robot (2016) continues an intriguing premise: What would happen to a robot after challenges in an unexpected environment cause it to evolve in unusual ways? As this book opens, Roz is delivered to a farm where she helps a widower with two young children run a dairy operation that has been in his family for generations. Roz reveals her backstory to the cows, who are supportive of the robot’s determination to return to the island and to her adopted son, the goose Brightbill. The cows, the children, and finally Brightbill himself come to Roz’s aid. The focus on Roz’s escape from human control results in a somewhat solemn and episodic narrative, with an extended journey and chase after Roz leaves the farm. Dr. Molovo, a literal deus ex machina, appears near the end of the story to provide a means of rescue. She is Roz’s designer/creator, and, intrigued by the robot’s adaptation and evolution but cognizant of the threat that those achievements might represent to humans, she assists Roz and Brightbill in their quest. The satisfactory (if inevitable-feeling) conclusion may prompt discussion about individual agency and determination, whether for robots or people.

If not as effervescent as Roz’s first outing, it is still a provocatively contemplative one. (Fiction. 8-11)

Pub Date: March 13, 2018

ISBN: 978-0-316-38204-5

Page Count: 288

Publisher: Little, Brown

Review Posted Online: Feb. 3, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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Ironically, by choosing such a dramatic catalyst, the author weakens the adventure’s impact overall and leaves readers to...

ESCAPE FROM BAXTERS' BARN

A group of talking farm animals catches wind of the farm owner’s intention to burn the barn (with them in it) for insurance money and hatches a plan to flee.

Bond begins briskly—within the first 10 pages, barn cat Burdock has overheard Dewey Baxter’s nefarious plan, and by Page 17, all of the farm animals have been introduced and Burdock is sharing the terrifying news. Grady, Dewey’s (ever-so-slightly) more principled brother, refuses to go along, but instead of standing his ground, he simply disappears. This leaves the animals to fend for themselves. They do so by relying on their individual strengths and one another. Their talents and personalities match their species, bringing an element of realism to balance the fantasy elements. However, nothing can truly compensate for the bland horror of the premise. Not the growing sense of family among the animals, the serendipitous intervention of an unknown inhabitant of the barn, nor the convenient discovery of an alternate home. Meanwhile, Bond’s black-and-white drawings, justly compared to those of Garth Williams, amplify the sense of dissonance. Charming vignettes and single- and double-page illustrations create a pastoral world into which the threat of large-scale violence comes as a shock.

Ironically, by choosing such a dramatic catalyst, the author weakens the adventure’s impact overall and leaves readers to ponder the awkward coincidences that propel the plot. (Animal fantasy. 8-10)

Pub Date: July 7, 2015

ISBN: 978-0-544-33217-1

Page Count: 256

Publisher: HMH Books

Review Posted Online: April 1, 2015

Kirkus Reviews Issue: April 15, 2015

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