by Meghan McCarthy & illustrated by Meghan McCarthy ‧ RELEASE DATE: Feb. 14, 2006
Sandwiched between a look at Depression-era radios and a set of fanciful period advertisements, McCarthy delivers a semi-serious account of the 1938 “War of the Worlds” broadcast, illustrating both passages from the script and briefly told descriptions of widespread panic with smudgy cartoon scenes featuring bug-eyed monsters and equally bug-eyed people. The author closes with a substantial note that analyzes the broadcast’s immediate and long-term effects, points out that the announcers repeatedly admitted that they were presenting a drama during the broadcast, mentions several later revivals here and internationally and notes the response of H.G. Wells himself to the original production. She has also set up an invitingly designed web site with an array of relevant links. It’s a lighthearted but well-researched glimpse into one of our country’s quirkier collective moments, and readers will (justly) come away wondering whether it could happen again. (bibliography) (Picture book/nonfiction. 9-11)
Pub Date: Feb. 14, 2006
ISBN: 0-375-83518-0
Page Count: 40
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 2006
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by Sallie Ketcham ‧ RELEASE DATE: March 1, 1999
PLB 0-531-33140-7 Ketcham’s first book is based on an allegedly true story of a childhood incident in the life of Johann Sebastian Bach. It starts with a couple of pages regaling the Bach home and all the Johanns in the family, who made their fame through music. After his father’s death, Johann Sebastian goes to live with his brother, Johann Christoph, where he boasts that he is the best organist in the world. Johann Christoph contradicts him: “Old Adam Reincken is the best.” So Johann Sebastian sets out to hear the master himself. In fact, he is humbled to tears, but there is hope that he will be the world’s best organist one day. Johann Sebastian emerges as little more than a brat, Reincken as more of a suggestion than a character. Bush’s illustrations are most transporting when offering details of the landscape, but his protagonist is too impish to give the story much authority. (Picture book. 5-9)
Pub Date: March 1, 1999
ISBN: 0-531-30140-0
Page Count: 32
Publisher: Orchard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1999
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by C.M. Millen ‧ RELEASE DATE: March 1, 1999
A fine counterpoint of wistful ache and be-bop sparkle informs this story about shaking the blues. A girl wakes to an urban morning, her elemental funk reflected in the lonely, sagging laundry line seen across the street from her window. “That’s such a sorrowful line./It’s droppin’ down so lowly/even pigeons pass it by.” Her bubbly sister will not let her mope and tries a little jazzy word music: “Sweet potato!/Rutabaga!/That’ll work fine!/We can play together/with the laundry line!” Her persistence pays off—it’s not long before that piece of rope has been transformed from a study in malaise to a Double-Dutch four-step workout. Davenier’s watercolors are charmingly atmospheric, perfectly suited to Millen’s spirit-raising verse; the two will work magic on any down-at-the-mouth child. (Picture book. 4-8)
Pub Date: March 1, 1999
ISBN: 0-395-87497-1
Page Count: 32
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1999
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