The creator of a popular YouTube channel makes her book debut.

When Rienks, a lifestyle vlogger and Instagram influencer, contracted mononucleosis as a teen, her mother, one of two “save-the-world bookworm” parents, suggested that she make a YouTube channel. Once anxious and insecure, the author found her niche. In this confessional mashup of memoir, self-help advice, mildly amusing lists (“100 Things That Are Worse Than a Broken Heart” or 40 ways not to break up with someone), and cutesy chapter titles (“Pimp Yo Profile,” “What To Do When Your Parents Kind of Suck”), Rienks reassures fans that while “your problems are not unique…the upside is you’re not alone.” Throughout the book, which is best taken in small doses, the author revisits the same handful of topics—parties, dating and sex, heartbreak, angst, depression, difficult friendships—from shifting angles, and the advice is often shopworn, obvious, or unhelpful—e.g., a chapter on confidence boils down to faking it until you make it. Underneath the buoyant performance and tongue-in-cheek vanity—“I can make an Oscar-worthy Tinder profile, formulate the perfect combination of cheeky yet engaging messages on Bumble, and can compose a seamless response to every text that leaves the recipient completely and totally enamored”—Rienks occasionally hits on genuinely gritty topics, including bullying, sexual assault, alcoholism, ADHD, and why she cut off contact with her mother (a rending portrayal of familial toxicity). Refreshingly, the author reinforces that it’s OK to seek help and that life often does get better. Rienks wisely stops short of drawing a direct line from specific traumas to depression, acknowledging that there are complex factors for why certain events can affect people's mental health. Rewardingly, the book ends with the author finding healthy love. Rienks’ existing audience will find the narrative to be a brave, behind-the-webcam look at self-discovery. Casual readers may dismiss it as an erratic chronicle of resilience.

For the fans.

Pub Date: May 5, 2020

ISBN: 978-1-9821-1010-9

Page Count: 256

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: Feb. 7, 2020

Kirkus Reviews Issue: March 1, 2020

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.


The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...


Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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