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ELEVEN REGRETS

A remarkable tale of perseverance and a haunting reminder that abuse can often hide in plain sight.

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A stark, shocking memoir that offers a look into the mindset of abused children.

When Anderson (The Big Fib, 2010) was very young, a school psychologist asked her if her parents ever hit her. She writes that she told him no, parroting what her “religiously devout slightly psychotic parents” instructed her to say if she was ever questioned about conditions at home: “My mommy and daddy never, ever hit me, except when I do something really bad.” Anderson writes that she was lying, and the psychologist seemed to know it, but nothing came of the meeting. In reality, she says, her parents were regularly beating, sexually abusing, and emotionally terrorizing her and her 15 siblings. Yet the outside world turned a blind eye, and none of the children were capable of betraying “The Family.” Some may find it hard to imagine how such a situation could go unnoticed for so long, but Anderson says that a combination of psychological manipulation and physical terror allowed the abuse to flourish. She frankly describes instances when she says she betrayed her siblings to protect herself (one of her titular 11 regrets) and when speaking up led to violent repercussions. She also captures the complex relationships that children often have with their abusers. Her mother, she says, could show flashes of affection, and she sometimes felt close to her father, who once told her, “Don’t ever be like me.” But these pleasant memories are few. Worst off, she says, was her younger brother, Ronald, the family scapegoat who spent his formative years handcuffed in a shower stall and eating table scraps. Yet even while suffering the most appalling kinds of neglect, Anderson writes, she retained a hope that life could be better. Her descriptions of her struggle to retain a sense of self and dignity are heartbreaking but inspiring. Eventually, she says, she saw a chance for escape and seized it, joining the Army in her late teens. Although the fates of her other siblings weren’t all so positive, this memoir’s ending offers a ray of hope in an otherwise dark story.

A remarkable tale of perseverance and a haunting reminder that abuse can often hide in plain sight.

Pub Date: May 4, 2015

ISBN: 978-0692415924

Page Count: 370

Publisher: Little Bear Publications

Review Posted Online: May 11, 2015

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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