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BALANCE OF FORTUNE

A busy but engrossing thriller about interplanetary war and a complicated detente.

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A 26th-century human diplomat working among earthlings and extraterrestrials tries to keep the peace.

Fantasy/SF author Newmin, whose last book was Nomans Land(2021), sets her epic saga of space diplomacy and double-dealings in the year 2521. Nicodemus “Nick” Severin holds what he considers a mere bureaucratic gig on the planet Rhadamanthus, a trading post for three antagonistic spacegoing cultures: the loathsome, saurian Gunera; the haughty, isolationist bird-humanoid Amaurau; and earthlings (who harbor virulently anti-alien nationalists). Nick’s backstory is unique. He was enslaved by the cruel Gunera during a prolonged war, one that only ended when humanity bluffed the appearance of an alliance with the Gunera-hating Amaurau. Nick miraculously escaped to the human side but with profound inner wounds and baggage. The ensuing peace is very shaky indeed, and Nick, with his rare Gunera/Amaurau language and social skills, is caught in the middle when a Gunera ship is destroyed (apparently by Amaurau weapons) and a human assassin targets a Gunera delegate. Forced into a virtually suicidal negotiating mission, Nick struggles to navigate conspiracy, intimate betrayals, hidden agendas, hideous torture, and false accusations. The hero’s sufferings are practically Job-like, though one is reminded that he was brought up with entirely different gods. Such happenings make readers turn the pages at faster-than–light-speed, and at some point, the plot does rely on its outsized characters behaving untypically or suddenly switching their sympathies. More than once, one suspects that backtracking with fresh insights may reveal a nebula-sized plot hole or two. But the fact that one even wants to backtrack through this maze of action and intrigue proves the author’s storytelling virtuosity (Newmin credits Robert Heinlein and C.J. Cherryh as inspirations, which is not bad SF company at all).

A busy but engrossing thriller about interplanetary war and a complicated detente.

Pub Date: N/A

ISBN: 2021951164

Page Count: 344

Publisher: Out of this World Press

Review Posted Online: Aug. 17, 2022

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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WHAT WE CAN KNOW

A philosophically charged tour de force by one of the best living novelists in English.

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A gravely post-apocalyptic tale that blends mystery with the academic novel.

McEwan’s first narrator, Thomas Metcalfe, is one of a vanishing breed, a humanities professor, who on a spring day in 2119, takes a ferry to a mountain hold, the Bodleian Snowdonia Library. The world has been remade by climate change, the subject of a course he teaches, “The Politics and Literature of the Inundation.” Nuclear war has irradiated the planet, while “markets and communities became cellular and self-reliant, as in early medieval times.” Nonetheless, the archipelago that is now Britain has managed to scrape up a little funding for the professor, who is on the trail of a poem, “A Corona for Vivien,” by the eminent poet Francis Blundy. Thanks to the resurrected internet, courtesy of Nigerian scientists, the professor has access to every bit of recorded human knowledge; already overwhelmed by data, scholars “have robbed the past of its privacy.” But McEwan’s great theme is revealed in his book’s title: How do we know what we think we know? Well, says the professor of his quarry, “I know all that they knew—and more, for I know some of their secrets and their futures, and the dates of their deaths.” And yet, and yet: “Corona” has been missing ever since it was read aloud at a small party in 2014, and for reasons that the professor can only guess at, for, as he counsels, “if you want your secrets kept, whisper them into the ear of your dearest, most trusted friend.” And so it is that in Part 2, where Vivien takes over the story as it unfolds a century earlier, a great and utterly unexpected secret is revealed about how the poem came to be and to disappear, lost to history and memory and the coppers.

A philosophically charged tour de force by one of the best living novelists in English.

Pub Date: Sept. 23, 2025

ISBN: 9780593804728

Page Count: 320

Publisher: Knopf

Review Posted Online: May 24, 2025

Kirkus Reviews Issue: July 1, 2025

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