The ongoing drama of Rehak’s picky-eater son offers anecdotal entertainment, but the stakes are too insubstantial to qualify...
A sanguine account of the year Rehak (Girl Sleuth: Nancy Drew and the Women Who Created Her, 2005) spent immersed in local food production.
To give herself a crash-course culinary education in what to feed her one-year-old son, Jules, the author volunteered to work in the kitchen of a small Brooklyn restaurant, “applewood.” She wanted to think more about the food she ate but felt overwhelmed by the amount of information in books, newspapers and foodie magazines. Her yearlong endeavors to form her own ideas on the subject include picking vegetables at an upstate farm, making cheese, packing and delivering produce in the middle of the night, milking goats and sea-fishing. The bulk of the narrative unfolds at applewood during ten-hour shifts spent cooking, chopping, flipping, prepping, baking and studying the restaurant’s two owners, David and Laura Shea. Rehak’s conclusions—that “we should eat as locally as possible, we should support small farms”—are ones she grasped at the project’s outset, but she hadn’t understood the reasons why these truths are so important. Included in the book are recipes, and she quotes liberally from authors as varied as Wendell Berry, Emily Dickinson and James Joyce. Rehak doesn’t lack inspiration, and her subject is laudable. However, with so many books covering the same topic, she could use a more dynamic angle, opting to focus more on the personal side of her story. She spends countless hours with people in the food business, affirming the argument for supporting local and organic farmers and butchers, but not a single voice in these pages articulates a different view. Consequently, readers are taught the same lesson in each chapter, from cheese to fish to desserts.
The ongoing drama of Rehak’s picky-eater son offers anecdotal entertainment, but the stakes are too insubstantial to qualify as gripping, no matter how enthusiastic the author.Pub Date: July 8, 2010
ISBN: 978-0-15-101437-8
Page Count: 288
Publisher: Houghton Mifflin
Review Posted Online: Dec. 24, 2010
Kirkus Reviews Issue: April 15, 2010
BOOK REVIEW
From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)
Pub Date: Nov. 1, 1992
ISBN: 0-374-17563-2
Page Count: 192
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1992
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.
A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.
In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.Pub Date: April 21, 2020
ISBN: 978-0-300-23222-6
Page Count: 304
Publisher: Yale Univ.
Review Posted Online: Feb. 8, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
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