In a nutshell: short and sweet.
Always be prepared...to be underprepared.
Scaredy Squirrel is perfectly happy to stay in his nut tree, away from the myriad dangers plaguing the outside world, like aliens, germs, cacti, and evil dust bunnies. Or, as the case may turn out to be, not-so-evil dust-free bunnies, who do pesky and panic-inducing things like clog Scaredy’s trusty vacuum and try to make friends. In a nutshell: a risky situation! Scaredy, of course, has constructed contingency plans for his contingency plans in hopes of avoiding such situations (when in doubt, play dead). But the best-laid plans of squirrels and men oft go awry, leading Scaredy to discover that sometimes, a risk can yield a mighty (and tasty) reward. With this outing, Watt gives her award-winning Scaredy Squirrel picture-book series, published over a decade ago, a graphic-novel upgrade for a contemporary audience. Fortunately, no familiarity with the series is required to quickly get a grasp of this quirky, querulous, and ultimately rather adorable character. The simple story is enlivened by bold, expressive artwork and stylistic embellishments; Scaredy, an overthinker top to tail, is especially fond of lists and charts. An impressive collection of fears and cameos, including the insidiously ubiquitous Gary the Germ, promises plenty of nutty adventures to come (confirmed in the concluding FAQ).
In a nutshell: short and sweet. (Graphic fiction. 6-9)Pub Date: May 25, 2021
ISBN: 978-0-593-30755-7
Page Count: 72
Publisher: Random House
Review Posted Online: April 13, 2021
Kirkus Reviews Issue: May 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A funny and timely primer for budding activists.
Problems are afoot at Emily Dickinson Elementary School, and it’s up to Bea Garcia to gather the troops and fight.
Bea Garcia and her best friend, Judith Einstein, sit every day under the 250-year-old oak tree in their schoolyard and imagine a face in its trunk. They name it “Emily” after their favorite American poet. Bea loves to draw both real and imagined pictures of their favorite place—the squirrels in the tree, the branches that reach for the sky, the view from the canopy even though she’s never climbed that high. Until the day a problem boy does climb that high, pelting the kids with acorns and then getting stuck. Bert causes such a scene that the school board declares Emily a nuisance and decides to chop it down. Bea and Einstein rally their friends with environmental facts, poetry, and artwork to try to convince the adults in their lives to change their minds. Bea must enlist Bert if she wants her plan to succeed. Can she use her imagination and Bert’s love of monsters to get him in line? In Bea’s fourth outing, Zemke gently encourages her protagonist to grow from an artist into an activist. Her energy and passion spill from both her narration and her frequent cartoons, which humorously extend the text. Spanish-speaking Bea’s Latinx, Einstein and Bert present white, and their classmates are diverse.
A funny and timely primer for budding activists. (Graphic/fiction hybrid. 6-9)Pub Date: May 14, 2019
ISBN: 978-0-7352-2941-9
Page Count: 160
Publisher: Dial Books
Review Posted Online: March 16, 2019
Kirkus Reviews Issue: April 1, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look...
Winning actually isn’t everything, as jazz-happy Rooster learns when he goes up against the legendary likes of Mules Davis and Ella Finchgerald at the barnyard talent show.
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look good—particularly after his “ ‘Hen from Ipanema’ [makes] / the barnyard chickies swoon.”—but in the end the competition is just too stiff. No matter: A compliment from cool Mules and the conviction that he still has the world’s best band soon puts the strut back in his stride. Alexander’s versifying isn’t always in tune (“So, he went to see his cousin, / a pianist of great fame…”), and despite his moniker Rooster plays an electric bass in Bower’s canted country scenes. Children are unlikely to get most of the jokes liberally sprinkled through the text, of course, so the adults sharing it with them should be ready to consult the backmatter, which consists of closing notes on jazz’s instruments, history and best-known musicians.Pub Date: Sept. 1, 2011
ISBN: 978-1-58536-688-0
Page Count: 32
Publisher: Sleeping Bear Press
Review Posted Online: July 19, 2011
Kirkus Reviews Issue: Aug. 1, 2011
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