A biography that skillfully sets Bates’ work against the backdrop of the times in which she lived.
A biography of the multitalented woman who wrote the words to “America the Beautiful.”
Katharine Lee Bates carved herself a place in America’s cultural history by penning the majestic poem, first published in 1895, that later became the lyrics to the iconic anthem “America the Beautiful.” But as author Ponder (Hawthorne’s Early Narrative Art, 1991) convincingly shows in her similarly majestic account of Bates’ life, this poem was just one of many achievements of its creator—a woman who, through her work as a writer, teacher, and social activist, set an example of female independence in late-19th-century America. Bates was raised by her mother, as her father died within weeks of her birth in 1859. She first experienced “women’s collective power” when the widows of her hometown on Cape Cod, Massachusetts, mourned the slaying of President Abraham Lincoln by draping their black shawls around the local church to make up for an insufficient supply of mourning cloth. She took advantage of opportunities afforded women after the Civil War, graduating from Wellesley College and going on to teach literature there after studying at Oxford University in England. But she still faced blatant prejudice, as personified by a Harvard president who, at an 1899 Wellesley event, questioned why women should go to college when, in his opinion, they weren’t as intelligent as men. Ponder, a lucid writer, is particularly effective at showing how Bates’ tumultuous environment, as America transitioned from a largely rural to an industrial society, inspired her poetry and novels. She points out that the words to “America the Beautiful,” for example, percolated in Bates’ mind amid the depression of 1893 and a visit to see the glories of the Colorado Rockies. For Bates, the famous phrase “sea to shining sea” expressed the “ideal of brotherhood” that she believed would see America through the crisis. As Ponder writes, “Knowing what it was like to be marginalized and silenced, she wrote for those who had no voice, and she gave Americans a fresh and inspiring ideal of their country as an inclusive community.”
A biography that skillfully sets Bates’ work against the backdrop of the times in which she lived.Pub Date: Aug. 8, 2017
ISBN: 978-1-941478-48-6
Page Count: 374
Publisher: Windy City Publishers
Review Posted Online: Oct. 4, 2017
Kirkus Reviews Issue: Nov. 15, 2017
Review Program: Kirkus Indie
From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)
Pub Date: Nov. 1, 1992
ISBN: 0-374-17563-2
Page Count: 192
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1992
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.
A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.
In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.Pub Date: April 21, 2020
ISBN: 978-0-300-23222-6
Page Count: 304
Publisher: Yale Univ.
Review Posted Online: Feb. 8, 2020
Kirkus Reviews Issue: March 1, 2020
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