A hauntingly evocative adaptation that stands on its own merits. (Fantasy. 14-adult)

GIRLS MADE OF SNOW AND GLASS

Magic, mother-daughter conflict, and the quest for self-identity are given a dark and fantastical treatment in this chilling feminist adaptation of the “Snow White” fairy tale.

Bashardoust sets her debut novel in a kingdom cursed with eternal winter, which serves as a pointed metaphor for the physical beauty that is currency and curse for both Lynet, the beloved daughter of King Nicholas, and Mina, the neglected daughter of an infamous magician who eventually becomes Lynet’s “wicked” stepmother. The narrative, which alternates between the characters’ points of view, unites them with a mutual feeling of objectification. Both women are shaped and magically controlled by their fathers, who are also their creators, the insidiousness of which the story fully explores. Well-developed, strong female characters abound, from the tree-climbing Lynet (whose skin is olive-brown) and golden-brown Mina, a sympathetic survivalist queen, to a court surgeon and a royal ancestor whose maternal grief is powerful enough to eternally banish springtime from the northern kingdom. The author’s rich fantasy landscape incorporates the fairy tale’s traditional iconography while providing her with room to create a new story emphasizing the shallowness of a male-dominated society that places a ruinously high premium on beauty at the expense of female individuality. The decisive clash is between mother and daughter, but misogyny is the narrative’s true destructive force.

A hauntingly evocative adaptation that stands on its own merits. (Fantasy. 14-adult)

Pub Date: Sept. 5, 2017

ISBN: 978-1-250-07773-8

Page Count: 384

Publisher: Flatiron Books

Review Posted Online: June 14, 2017

Kirkus Reviews Issue: July 1, 2017

Did you like this book?

No Comments Yet

In the end, it’s just another violent dystopian series opener for all its yellow-brick veneer, but it’s a whole lot more fun...

DOROTHY MUST DIE

When a cyclone deposits a 21st-century Kansas teen in Oz, she and readers discover there’ve been some changes made.

Dirt-poor “Salvation Amy” Gumm lives in a trailer park, effectively parenting her alcoholic mom (her dad ran off years ago), who seems to care more about her pet rat, Star, than her daughter. That doesn’t mean Amy is eager to be in Oz, particularly this Oz. Tyrannized by a megalomaniacal Dorothy and mined of its magic, it’s a dystopian distortion of the paradise Baum and MGM depicted. In short order, Amy breaks the wholly capricious laws and is thrown into a cell in the Emerald City with only Star for company. There, she’s visited first by the mysterious but sympathetic Pete and then by the witch Mombi, who breaks her out and takes her to the Revolutionary Order of the Wicked (among whom is the very hot Nox). Amy may well be the salvation of Oz—only someone from the Other Place can take Dorothy down. Paige has clearly had the time of her life with this reboot, taking a dystopian-romance template and laying it over Oz. Readers of Baum’s books will take special delight in seeing new twists on the old characters, and they will greet the surprise climactic turnabout with the smugness of insiders.

In the end, it’s just another violent dystopian series opener for all its yellow-brick veneer, but it’s a whole lot more fun than many of its ilk. (Dystopian fantasy. 14 & up)

Pub Date: April 1, 2014

ISBN: 978-0-06-228067-1

Page Count: 464

Publisher: Harper/HarperCollins

Review Posted Online: March 3, 2014

Kirkus Reviews Issue: March 15, 2014

Did you like this book?

This story is necessary. This story is important.

Reader Votes

  • Readers Vote
  • 42

Our Verdict

  • Our Verdict
  • GET IT

  • Kirkus Reviews'
    Best Books Of 2017

  • Kirkus Prize
  • Kirkus Prize
    finalist

  • New York Times Bestseller

  • IndieBound Bestseller

THE HATE U GIVE

Sixteen-year-old Starr Carter is a black girl and an expert at navigating the two worlds she exists in: one at Garden Heights, her black neighborhood, and the other at Williamson Prep, her suburban, mostly white high school.

Walking the line between the two becomes immensely harder when Starr is present at the fatal shooting of her childhood best friend, Khalil, by a white police officer. Khalil was unarmed. Khalil’s death becomes national news, where he’s called a thug and possible drug dealer and gangbanger. His death becomes justified in the eyes of many, including one of Starr’s best friends at school. The police’s lackadaisical attitude sparks anger and then protests in the community, turning it into a war zone. Questions remain about what happened in the moments leading to Khalil’s death, and the only witness is Starr, who must now decide what to say or do, if anything. Thomas cuts to the heart of the matter for Starr and for so many like her, laying bare the systemic racism that undergirds her world, and she does so honestly and inescapably, balancing heartbreak and humor. With smooth but powerful prose delivered in Starr’s natural, emphatic voice, finely nuanced characters, and intricate and realistic relationship dynamics, this novel will have readers rooting for Starr and opening their hearts to her friends and family.

This story is necessary. This story is important. (Fiction. 14-adult)

Pub Date: Feb. 28, 2017

ISBN: 978-0-06-249853-3

Page Count: 464

Publisher: Balzer + Bray/HarperCollins

Review Posted Online: Dec. 6, 2016

Kirkus Reviews Issue: Dec. 15, 2016

Did you like this book?

more