Purely for completists.
Romantic fantasy turns into lovelorn politicking in this duology closer and follow-up to The Queen’s Assassin (2020).
Formerly feisty assassin-in-training Shadow is now Queen Lilac of Montrice, still secretly meeting her lover, Chief Assassin Caledon Holt, while managing to avoid her (nice, hound-loving) husband. But the evil Aphrasian monks are still a threat, and when Cal rides off with attractive apprentice Rhema, 19-year-old Lilac fears she’s lost him. Cal’s adventures take him back to Renovia and to the frightening Aphrasian stronghold of Baer Abbey; Lilac, previously accustomed to a similarly adventurous life, feels increasingly imprisoned in the Montrician castle. While the somewhat flimsy fantasy world offers some decent adventure and intrigue, most of the alternating narrative (Lilac’s in first-person present tense, Cal’s from close third-person) consists of the lovers’ being jealous and angry while circumstances hold them apart while Lilac works much harder to avoid consummating her year-old marriage than she does to govern. Sometimes-awkward writing, usually due to the limitations of present-tense narration, inconsistent characterization, and uneven pacing plague the text. Physical descriptors are few and far between, but the world is established as diverse in terms of race (for example, Lilac’s mother is dark-skinned) and sexuality (Lilac’s aunt is in a same-sex marriage).
Purely for completists. (map) (Fantasy. 12-16)Pub Date: March 2, 2021
ISBN: 978-0-525-51594-4
Page Count: 320
Publisher: Putnam
Review Posted Online: Jan. 11, 2021
Kirkus Reviews Issue: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Fast-moving and intriguing though inconsistent on multiple fronts.
Kids endure rigorous competition aboard a spaceship.
When Babel Communications invites 10 teens to participate in “the most serious space exploration known to mankind,” Emmett signs on. Surely it’s the jackpot: they’ll each receive $50,000 every month for life, and Emmett’s mother will get a kidney transplant, otherwise impossible for poor people. They head through space toward the planet Eden, where they’ll mine a substance called nyxia, “the new black gold.” En route, the corporation forces them into brutal competition with one another—fighting, running through violent virtual reality racecourses, and manipulating nyxia, which can become almost anything. It even forms language-translating facemasks, allowing Emmett, a black boy from Detroit, to communicate with competitors from other countries. Emmett's initial understanding of his own blackness may throw readers off, but a black protagonist in outer space is welcome. Awkward moments in the smattering of black vernacular are rare. Textual descriptions can be scanty; however, copious action and a reality TV atmosphere (the scoreboard shows regularly) make the pace flow. Emmett’s first-person voice is immediate and innocent: he realizes that Babel’s ruthless and coldblooded but doesn’t apply that to his understanding of what’s really going on. Readers will guess more than he does, though most confirmation waits for the next installment—this ends on a cliffhanger.
Fast-moving and intriguing though inconsistent on multiple fronts. (Science fiction. 12-16)Pub Date: Sept. 12, 2017
ISBN: 978-0-399-55679-1
Page Count: 384
Publisher: Crown
Review Posted Online: July 14, 2017
Kirkus Reviews Issue: Aug. 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Evocations of Narnia are not enough to salvage this fantasy, which struggles with thin character development.
A portal fantasy survivor story from an established devotional writer.
Fourteen-year-old Eva’s maternal grandmother lives on a grand estate in England; Eva and her academic parents live in New Haven, Connecticut. When she and Mum finally visit Carrick Hall, Eva is alternately resentful at what she’s missed and overjoyed to connect with sometimes aloof Grandmother. Alongside questions of Eva’s family history, the summer is permeated by a greater mystery surrounding the work of fictional children’s fantasy writer A.H.W. Clifton, who wrote a Narnialike series that Eva adores. As it happens, Grandmother was one of several children who entered and ruled Ternival, the world of Clifton’s books; the others perished in 1952, and Grandmother hasn’t recovered. The Narnia influences are strong—Eva’s grandmother is the Susan figure who’s repudiated both magic and God—and the ensuing trauma has created rifts that echo through her relationships with her daughter and granddaughter. An early narrative implication that Eva will visit Ternival to set things right barely materializes in this series opener; meanwhile, the religious parable overwhelms the magic elements as the story winds on. The serviceable plot is weakened by shallow characterization. Little backstory appears other than that which immediately concerns the plot, and Eva tends to respond emotionally as the story requires—resentful when her seething silence is required, immediately trusting toward characters readers need to trust. Major characters are cued white.
Evocations of Narnia are not enough to salvage this fantasy, which struggles with thin character development. (author’s note, map, author Q&A) (Religious fantasy. 12-14)Pub Date: Jan. 30, 2024
ISBN: 9780593194454
Page Count: 384
Publisher: WaterBrook
Review Posted Online: Oct. 21, 2023
Kirkus Reviews Issue: Nov. 15, 2023
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