by Melissa Eskue Ousley ‧ RELEASE DATE: June 9, 2021
An indelible story of loving yourself in a world of dreadful realities.
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Amelia Weaver believes the pearls agonizingly coming out of her upper arms and back are a monthly sickness. But her mother sees it as a benefit, making good money by routinely selling the pearls. She keeps her daughter at home for years, asserting that people will lock Amelia up if they know what she can do. Her mother ensures Amelia stays put by confining her to the attic when she’s away. At age 21, Amelia absconds from her Roseburg, Oregon, home and heads to Portland, where she quickly has to deal with a lack of both money and shelter. Luckily, she finds a buyer for her pearls—a soon-to-open museum of “human oddities,” such as Gabriel, whose entire body is covered in hair. This small museum community becomes like a family, and Amelia lives on her own with an apartment and a job. But a condition such as hers isn’t one she’ll be able to keep secret for long. And she will come to the unfortunate realization that people just as cruel and selfish as her mother are never far away. Ousley’s thematically rich tale packs a few punches. For example, the protagonist’s “harvest” of pearls corresponds with her menstrual cycle, and Gabriel endures mistreatment for a condition he, unlike Amelia, can’t easily conceal. Characters are sublime, as the ones whom some call “freaks” are dynamic and tenderhearted while the rest of humanity includes a mugger and worse. The author gracefully describes disturbing scenes, such as Amelia’s harvests, making these painful, bloody experiences palpable without graphic details. Amelia muses about the terrible effects of these incidents: “After that first year of harvesting pearls, my skin had constellations of scars. I avoided mirrors. The one comfort to my isolation was no one could see my monstrous skin.” The moving novel has its share of positivity as well, especially Amelia’s making friends for the first time in a long while. Though the latter half of the book takes a surprisingly drastic turn, it’s befitting, as is the potent ending.
An indelible story of loving yourself in a world of dreadful realities. (acknowledgements, author bio)Pub Date: June 9, 2021
ISBN: 978-1-953238-23-8
Page Count: 258
Publisher: Midnight Tide Publishing
Review Posted Online: Feb. 2, 2021
Kirkus Reviews Issue: March 15, 2021
Review Program: Kirkus Indie
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by Barbara Kingsolver ‧ RELEASE DATE: Oct. 18, 2022
An angry, powerful book seething with love and outrage for a community too often stereotyped or ignored.
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New York Times Bestseller
Pulitzer Prize Winner
Inspired by David Copperfield, Kingsolver crafts a 21st-century coming-of-age story set in America’s hard-pressed rural South.
It’s not necessary to have read Dickens’ famous novel to appreciate Kingsolver’s absorbing tale, but those who have will savor the tough-minded changes she rings on his Victorian sentimentality while affirming his stinging critique of a heartless society. Our soon-to-be orphaned narrator’s mother is a substance-abusing teenage single mom who checks out via OD on his 11th birthday, and Demon’s cynical, wised-up voice is light-years removed from David Copperfield’s earnest tone. Yet readers also see the yearning for love and wells of compassion hidden beneath his self-protective exterior. Like pretty much everyone else in Lee County, Virginia, hollowed out economically by the coal and tobacco industries, he sees himself as someone with no prospects and little worth. One of Kingsolver’s major themes, hit a little too insistently, is the contempt felt by participants in the modern capitalist economy for those rooted in older ways of life. More nuanced and emotionally engaging is Demon’s fierce attachment to his home ground, a place where he is known and supported, tested to the breaking point as the opiate epidemic engulfs it. Kingsolver’s ferocious indictment of the pharmaceutical industry, angrily stated by a local girl who has become a nurse, is in the best Dickensian tradition, and Demon gives a harrowing account of his descent into addiction with his beloved Dori (as naïve as Dickens’ Dora in her own screwed-up way). Does knowledge offer a way out of this sinkhole? A committed teacher tries to enlighten Demon’s seventh grade class about how the resource-rich countryside was pillaged and abandoned, but Kingsolver doesn’t air-brush his students’ dismissal of this history or the prejudice encountered by this African American outsider and his White wife. She is an art teacher who guides Demon toward self-expression, just as his friend Tommy provokes his dawning understanding of how their world has been shaped by outside forces and what he might be able to do about it.
An angry, powerful book seething with love and outrage for a community too often stereotyped or ignored.Pub Date: Oct. 18, 2022
ISBN: 978-0-06-325-1922
Page Count: 560
Publisher: Harper/HarperCollins
Review Posted Online: July 13, 2022
Kirkus Reviews Issue: Aug. 1, 2022
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SEEN & HEARD
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SEEN & HEARD
by Colleen Hoover ‧ RELEASE DATE: Oct. 18, 2022
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
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New York Times Bestseller
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
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