Next book

THE PROFESSOR IN CHILDREN'S LITERATURE

AN ANTHOLOGY

For children’s-literature researchers after the eclectic and esoteric, the price is right.

Published as a companion to editor Terras’ monograph, Picture-Book Professors (2018), which analyzes depictions of professors in illustrated children’s books, this anthology introduces 21st-century readers to 26 professors from stories published between 1871 and 1933.

Most of these characters are likely to be new to even scholars of children’s literature; aside from Charles Kingsley, Lewis Carroll, Mark Twain, E. Nesbit, and L. Frank Baum, authors included are almost certain to be obscure to most American lay readers. Befitting the collection’s role as adjunct to Terras’ scholarship, many selections are mere excerpts from longer works. Some are so targeted to the depictions of the professor highlighted that any sense of narrative is entirely lost, as in the bits and bobs from four separate Little Jack Rabbit tales by David Cory. In these, readers meet professor Jim Crow, who mostly appears to read snatches from his “little Black Book” or “little Wisdom Book” to the bunny protagonist before flying off. Some short stories are reprinted in full, offering both some narrative satisfaction and fascinating glimpses into bygone times and mores. Readers will be astonished, for instance, at the implied workings of primitive telephony in Frank R. Stockton’s “The Curious History of a Message,” published in St. Nicholas in 1888. Also lending insight is the frequently “colonialist, racist and sexist” language preserved in many of these tales, which occasions both a blanket warning in the book’s introduction and specific warnings where appropriate in the contextualizing note that precedes each piece. U.S. readers sensitized to the demeaning association of simians with black people will remark that no such gloss accompanies the excerpt from Barrington MacGregor’s King Longbeard, featuring the foolishly self-important professor Entellus Hanuman Semnopithicus A.P.E.; it is also silent on the appropriation of the Hindu deity Hanuman to name this object of ridicule. Children are not the target or the likely audience of this collection, but caregivers moved to share this open-access work should take note.

For children’s-literature researchers after the eclectic and esoteric, the price is right.

Pub Date: Oct. 22, 2018

ISBN: 978-0-9928581-7-9

Page Count: 275

Publisher: Fincham Press

Review Posted Online: Feb. 17, 2019

Categories:
Next book

NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:
Next book

TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

Categories:
Close Quickview