by Melissa Stewart ; Allen Young ; illustrated by Nicole Wong ‧ RELEASE DATE: Aug. 1, 2013
Children—and more than a few adults—will find this educational you-are-there journey to the rain forest fascinating.
This clever circular tale with a curious title opens with a common scene: a party including chocolaty treats. The authors explain, “[Y]ou can’t make chocolate without… / …cocoa beans.” With the turn of the page, readers find themselves in the rain forest microhabitat of the cocoa tree.
In each spread, the authors take children backward through the life cycle of the tree: pods, flowers, leaves, stems, roots and back to beans. The interdependence of plants and animals is introduced in the process: Midges carry pollen from one flower to another; aphids destroying tender stems are kept in check by an anole. Graceful ink-and-watercolor illustrations range from an expansive view of the rain forest to a close-up of aphids. Explanations are delivered in a simple manner that avoids terms such as pollination or germination. “Bookworm” commentators in the corner of each spread either reinforce the concept—“No lizards, no chocolate”—or echo youngsters’ impatience: “I thought this book was supposed to be about monkeys.” Indeed, the book closes with a monkey sitting in a branch with an open pod, eating the pulp and spitting out the beans, which fall to the ground and take root: no monkeys, no chocolate. Backmatter helps young naturalists understand why conservation and careful stewardship is important.
Children—and more than a few adults—will find this educational you-are-there journey to the rain forest fascinating. (Informational picture book. 4-8)Pub Date: Aug. 1, 2013
ISBN: 978-1-58089-287-2
Page Count: 32
Publisher: Charlesbridge
Review Posted Online: June 25, 2013
Kirkus Reviews Issue: July 15, 2013
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by Melissa Stewart ; illustrated by Brian Lies
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by Suzanne Slade ; illustrated by Nicole Tadgell ‧ RELEASE DATE: March 6, 2018
A solid, small step for diversifying STEM stories.
What does Annie want to be?
As career day approaches, Annie wants to keep her job choice secret until her family sees her presentation at school. Readers will figure it out, however, through the title and clues Tadgell incorporates into the illustrations. Family members make guesses about her ambitions that are tied to their own passions, although her brother watches as she completes her costume in a bedroom with a Mae Jemison poster, starry décor, and a telescope. There’s a celebratory mood at the culminating presentation, where Annie says she wants to “soar high through the air” like her basketball-playing mother, “explore faraway places” like her hiker dad, and “be brave and bold” like her baker grandmother (this feels forced, but oven mitts are part of her astronaut costume) so “the whole world will hear my exciting stories” like her reporter grandfather. Annie jumps off a chair to “BLAST OFF” in a small illustration superimposed on a larger picture depicting her floating in space with a reddish ground below. It’s unclear if Annie imagines this scene or if it’s her future-self exploring Mars, but either scenario fits the aspirational story. Backmatter provides further reading suggestions and information about the moon and four women astronauts, one of whom is Jemison. Annie and her family are all black.
A solid, small step for diversifying STEM stories. (Picture book. 4-7)Pub Date: March 6, 2018
ISBN: 978-0-88448-523-0
Page Count: 36
Publisher: Tilbury House
Review Posted Online: Feb. 3, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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by Suzanne Slade ; illustrated by Thomas Gonzalez
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by Suzanne Slade ; illustrated by Stephanie Fizer Coleman
by Bethany Barton ; illustrated by Bethany Barton ‧ RELEASE DATE: April 25, 2017
Even the most bee-phobic readers will have a hard time resisting this swarm of humor and fact.
Following much the same format as in I’m Trying to Love Spiders (2015), Barton makes a strong case for the value of bees.
Edgar, a torpedo-shaped white kid with googly eyes and a scribble of hair, loves everything the narrator does, including dinosaurs, strawberries, and honey, but he’s not so sure about bees. The narrator proceeds to persuade him to “give bees a chance,” telling him there are “about 25,000 different kinds of bees to love” (a sampling of which are introduced on front and rear endpapers), describing the composition of a honeybee colony and honeybee anatomy, and regaling him with cool bee facts. Edgar’s still not sure, because, he says, “they’re all gonna sting me!” Since many readers likely share Edgar’s apprehension, Barton’s counter to this is delightfully kidcentric: “most bees lose their stinger after attacking,” she says, “which would be like your hand disappearing if you pinched your sister!” Edgar remains unconvinced, so Barton drills down on the importance of bee pollination to the world’s food supply, illustrating it with a strawberry plant that says, “throw me some pollen! I don’t have arms.” Barton’s digital mix of scribbly cartoons and comics-style panels, splashy, watercolor-effect backgrounds, and exuberant hand-lettering makes for a high-energy celebration of all things Apis.
Even the most bee-phobic readers will have a hard time resisting this swarm of humor and fact. (author’s note) (Informational picture book. 4-8)Pub Date: April 25, 2017
ISBN: 978-0-670-01694-5
Page Count: 40
Publisher: Viking
Review Posted Online: Feb. 13, 2017
Kirkus Reviews Issue: March 1, 2017
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by Bethany Barton ; illustrated by Bethany Barton
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