by Melody Heller ‧ RELEASE DATE: Dec. 6, 2018
An odd but ultimately endearing memoir.
Heller tells of receiving supernatural help from an unlikely, and famous, source in this debut Christian memoir.
On Christmas Day 2016, the author simply could not get into the holiday spirit. The single mother of two had launched a jewelry business that year, and the startup debt was weighing on her. Then she learned from her daughter that the singer George Michael had died. “George was known for helping anyone in need,” she reflected. “I kept thinking, I wish he could have helped me grow my business. I wish I had someone like him to discuss marketing with. I wish I could have gotten his opinion on my jewelry line.” That night, she prayed to God to make Michael one of “my angels.” A few months later, Heller suffered a possible heart attack; at the hospital, she thought that she heard Michael’s song “Careless Whisper” playing somewhere, although her daughter assured her that it was not. Then, despite some troubling potential diagnoses, it turned out there was nothing wrong with Heller’s heart. Over the subsequent months and years, the author writes, she experienced ghostly happenings—boots moving on their own, bowls of creamer refilling themselves, televisions flicking on mysteriously—along with more spectral George Michael songs that only she could hear. She wondered: Could it really be possible that the deceased singer’s spirit was watching over her and her children? The tone of Heller’s prose is chatty and light, but she knows how to get across spooky moments when required: “I…tried to figure out why in the world I had just had a dream about George Michael. There he was, singing ‘Careless Whisper.’ Wait—was I still dreaming? No, I was definitely awake.” Overall, it’s a strange premise for a memoir, and skeptical readers will find it a difficult one to believe despite Heller’s efforts. That said, the supernatural elements are secondary to her story of finding ways to overcome the small (and not-so-small) obstacles that she encountered in her everyday life. As a result, this relatable remembrance will likely leave readers with a warm, Christmas-y feeling.
An odd but ultimately endearing memoir.Pub Date: Dec. 6, 2018
ISBN: 978-1-5462-7090-4
Page Count: 128
Publisher: AuthorHouse
Review Posted Online: April 17, 2019
Review Program: Kirkus Indie
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by Robert Greene ‧ RELEASE DATE: Sept. 1, 1998
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.
The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.
Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.Pub Date: Sept. 1, 1998
ISBN: 0-670-88146-5
Page Count: 430
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1998
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BOOK TO SCREEN
by R. Crumb ; illustrated by R. Crumb ‧ RELEASE DATE: Oct. 19, 2009
An erudite and artful, though frustratingly restrained, look at Old Testament stories.
The Book of Genesis as imagined by a veteran voice of underground comics.
R. Crumb’s pass at the opening chapters of the Bible isn’t nearly the act of heresy the comic artist’s reputation might suggest. In fact, the creator of Fritz the Cat and Mr. Natural is fastidiously respectful. Crumb took pains to preserve every word of Genesis—drawing from numerous source texts, but mainly Robert Alter’s translation, The Five Books of Moses (2004)—and he clearly did his homework on the clothing, shelter and landscapes that surrounded Noah, Abraham and Isaac. This dedication to faithful representation makes the book, as Crumb writes in his introduction, a “straight illustration job, with no intention to ridicule or make visual jokes.” But his efforts are in their own way irreverent, and Crumb feels no particular need to deify even the most divine characters. God Himself is not much taller than Adam and Eve, and instead of omnisciently imparting orders and judgment He stands beside them in Eden, speaking to them directly. Jacob wrestles not with an angel, as is so often depicted in paintings, but with a man who looks not much different from himself. The women are uniformly Crumbian, voluptuous Earth goddesses who are both sexualized and strong-willed. (The endnotes offer a close study of the kinds of power women wielded in Genesis.) The downside of fitting all the text in is that many pages are packed tight with small panels, and too rarely—as with the destruction of Sodom and Gomorrah—does Crumb expand his lens and treat signature events dramatically. Even the Flood is fairly restrained, though the exodus of the animals from the Ark is beautifully detailed. The author’s respect for Genesis is admirable, but it may leave readers wishing he had taken a few more chances with his interpretation, as when he draws the serpent in the Garden of Eden as a provocative half-man/half-lizard. On the whole, though, the book is largely a tribute to Crumb’s immense talents as a draftsman and stubborn adherence to the script.
An erudite and artful, though frustratingly restrained, look at Old Testament stories.Pub Date: Oct. 19, 2009
ISBN: 978-0-393-06102-4
Page Count: 224
Publisher: Norton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2009
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