Bukiet (While the Messiah Tarries, 1995, etc.), fiction editor of Tikkun, draws on stories of his own family's survival of the death camps for this corrosive satirical novel of the Holocaust's aftermath. The story begins on the morning of the day that US troops liberate the inmates of the concentration camp at Aspenfeld, among them the 19-year-old Isaac Kaufman—an ex-yeshiva boy turned scrounger and scoundrel who's determined to prosper in the post- Liberation era by using the skills he acquired surviving the Nazis. He will augment those skills with the talents of Marcus Morgenstern, a former dentist trained in Dachau by the Nazis to be a master forger, and with the additional help of a motley crew of fellow death camp survivors. As Kaufman's schemes escalate from minor black marketeering into the wholesale creation of elaborate false documents (including a demented scheme for DPIDs—Dead Persons Identification—that is clearly a nod to Gogol's Chichikov), he becomes entangled with a supporting cast that includes a group of corrupt GIs; the well-meaning but inept representatives of the Joint Distribution Committee, a real-life Jewish charitable organization that draws considerable scorn from the author; and Isaac's mysterious brother Alter. Bukiet has a sharp eye for the gruesome anecdote and produces brutally cynical, crisp dialogue reminiscent of the hard-boiled 1940s-style detective novel. But the book runs aground for some 40 pages during an elaborately described costume party far too weighted down with symbolism, and Bukiet's lampooning of the US Army seems unoriginal, too much like secondhand Joseph Heller. Still, despite the longueurs and wildly uneven tone, those who persevere will find a conclusion that is surprisingly earnest, genuinely affecting and, largely because of what has gone before, deeply resonant.
Pub Date: Sept. 13, 1996
ISBN: 0-312-14536-5
Page Count: 400
Publisher: St. Martin's
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: July 1, 1996
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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