by Menucha Meinstein ‧ RELEASE DATE: Feb. 18, 2015
A charming, life-affirming biography of survival and community.
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Meinstein’s biography of Holocaust survivor Leah Cik Roth, told from her subject’s perspective.
Roth’s story begins in Brustury, Czechoslovakia (now part of Ukraine), with her earliest memory: the death and funeral of her mother when Roth was 5. Traumatic as that event was for Roth, she reminds the reader that “in years to come I would see death every day without the dignity given to my mother.” Roth tells of her childhood among the Orthodox Jewish community of her Carpathian village and of her desire to leave at age 14 due to a tense relationship with her stepmother. Following the Hungarian invasion of Carpathia, Roth traveled to the city of Chust to work as an apprentice basket maker and wig maker. She was in Chust in 1941 when she learned that most of her community, including her father and nearly all her siblings, had been forced over the Polish border by Hungarian forces and executed by firing squads. So begins the truly terrible account of Roth’s journey, which brought her to the ghetto of Sekernice, then to Auschwitz (and face to face with Mengele himself), then to Birkenau, Stutthof, and Brano, and finally to a forced march in the final months of the war. She subsequently escaped to Israel—she offers insight into the early years of that nation—before eventually immigrating to the United States. Meinstein is an eloquent writer, suitably skilled for describing both the lighter and darker chapters of Roth’s life. It’s an idiosyncratic volume—part personal scrapbook, part primary document of several disparate eras and locales—accompanied by various supplementary materials, including a reading group guide, letters written between Meinstein and Roth, lengthy acknowledgements, and thick fanfare: a full 14 pages of reader reviews of this very book. Flourishes aside, the story serves as a particularly unnerving account of the camps and their aftermath as well as a testament to how treasured the survivors remain for succeeding generations of Jews and non-Jews alike. Meinstein is clearly working her hardest to deliver a book worthy of Roth’s story. The result is a collaboration that is affecting on many levels.
A charming, life-affirming biography of survival and community.Pub Date: Feb. 18, 2015
ISBN: 978-0986129308
Page Count: 304
Publisher: One to One Publishing
Review Posted Online: July 14, 2015
Kirkus Reviews Issue: July 1, 2015
Review Program: Kirkus Indie
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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