Winstein’s (Your Fertility Signals, 1991) two-volume work will teach readers how to make the cheeses they know and love—and probably some they’ve never heard of.
The author first experienced fine cheese while traveling to Denmark as a teenager but didn’t try making it until many years later. In 1993, she took a one-day cheese-making class and was frustrated when she couldn’t replicate the strong tastes that she remembered. She began taking more advanced classes in Massachusetts and Vermont with a number of master cheese makers. In these volumes, Winstein hopes to convey the tips that she picked up from them in addition to her own knowledge from years of trial and error. Cheeses are helpfully grouped by order of complication to allow beginners to start small and then challenge themselves as they gain more experience. The photos in the book are in black and white; the author explains that monochromatic images show better detail about texture, that the ink will fade less over time, and that, in her opinion, the style is more aesthetically pleasing. The design is sparse and simple, with large pictures of each step. The recipes are very wordy, however, and color photos might have been preferable for readers who absorb information more readily from images or have poor vision. It’s possible that a reader may look at these texts and think that they contain much more information than they want about cheese making; however, the perspective of this book indicates that cheese is a precise undertaking and that if a person is truly hoping to make quality product, they’ll need to know everything here. In addition to recipes and an index of terms, there’s information about milk choice, starter cultures, rennet, cleanliness, safe cooking procedures, and equipment. It’s clear that the book is meant for people who are serious about taking on cheese making as a hobby or as a small business venture. Potential readers should also note that they may need to find a local source of raw milk, as Winstein explains that supermarket milk has limited functionality for cheese creation.
A massive wealth of knowledge for dedicated cheese-making students.Pub Date: Jan. 1, 2018
ISBN: 978-0-9985959-5-5
Page Count: 670
Publisher: Smooth Stone Press
Review Posted Online: July 12, 2018
Review Program: Kirkus Indie
Categories: GENERAL NONFICTION
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This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: Aug. 15, 1996
Categories: GENERAL NONFICTION
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BOOK REVIEW
BOOK REVIEW
From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)
Pub Date: Nov. 1, 1992
ISBN: 0-374-17563-2
Page Count: 192
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: Sept. 1, 1992
Categories: GENERAL NONFICTION | BIOGRAPHY & MEMOIR
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