A passable introduction to horror for young readers in an engaging format.
In this diminutive graphic-novel adaptation of the “Bluebeard” tale, Eve and her siblings confront the mysterious and sinister man whose castle looms over their village.
The sparse text is narrated by an older Eve as she recounts her youth and reluctant marriage at age 18 to Count Bluebeard. Her slow-burn tale successfully builds suspense, though it’s somewhat diluted by clunky writing and excessive use of ellipses. The stylized illustrations have a soft quality that contrasts with the characters’ exaggerated expressions. Spreads and panels that predominantly feature blues and pinks seem to correspond with Bluebeard and pink-haired Eve, respectively. Despite the limited color palette, readers can distinguish characters’ skin tones: Eve, her family, and Bluebeard all appear white while her best friend and true love, Tom, has brown skin along with several unnamed townspeople. This adaptation retains many elements that characterize existing versions of the tale, including a bloody key, dead wives (here, with minimal gore), sibling saviors, and an enchanted castle. Yet, though Eve claims that the “bond between two sisters, our love, proved stronger than any evil spell,” this self-identified “feminist fairy tale” treats that bond superficially (a slap from Eve is what finally breaks her sister Anne’s trance). Overall, the characters and worldbuilding are frustratingly two-dimensional; readers would be better served with Emily Carroll’s Through the Woods (2014).
A passable introduction to horror for young readers in an engaging format. (Graphic fairy tale. 10-16)Pub Date: May 5, 2020
ISBN: 978-1-5458-0412-4
Page Count: 176
Publisher: Papercutz
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
BOOK REVIEW
An engrossing, humorous, and vitally important graphic novel that should be required reading in every middle school in...
Jordan Banks takes readers down the rabbit hole and into his mostly white prep school in this heartbreakingly accurate middle-grade tale of race, class, microaggressions, and the quest for self-identity.
He may be the new kid, but as an African-American boy from Washington Heights, that stigma entails so much more than getting lost on the way to homeroom. Riverdale Academy Day School, located at the opposite end of Manhattan, is a world away, and Jordan finds himself a stranger in a foreign land, where pink clothing is called salmon, white administrators mistake a veteran African-American teacher for the football coach, and white classmates ape African-American Vernacular English to make themselves sound cool. Jordan’s a gifted artist, and his drawings blend with the narrative to give readers a full sense of his two worlds and his methods of coping with existing in between. Craft skillfully employs the graphic-novel format to its full advantage, giving his readers a delightful and authentic cast of characters who, along with New York itself, pop off the page with vibrancy and nuance. Shrinking Jordan to ant-sized proportions upon his entering the school cafeteria, for instance, transforms the lunchroom into a grotesque Wonderland in which his lack of social standing becomes visually arresting and viscerally uncomfortable.
An engrossing, humorous, and vitally important graphic novel that should be required reading in every middle school in America. (Graphic fiction. 10-14)Pub Date: Feb. 5, 2019
ISBN: 978-0-06-269120-0
Page Count: 256
Publisher: Harper/HarperCollins
Review Posted Online: Oct. 14, 2018
Kirkus Reviews Issue: Nov. 1, 2018
Readers will cheer her victories, wince at her stumbles, and likely demand visits to the nearest faire themselves to sample...
A home-schooled squireling sallies forth to public school, where the woods turn out to be treacherous and dragons lie in wait.
Imogene Vega has grown up among “faire-mily”; her brown-skinned dad is the resident evil knight at a seasonal Renaissance faire, her lighter-skinned mom is in charge of a gift shop, and other adult friends play various costumed roles. As a freshly minted “squire,” she happily charges into new weekend duties helping at jousts, practicing Elizabethan invective (“Thou lumpish reeling-ripe jolt-head!” “Thou loggerheaded rump-fed giglet!”), and keeping younger visitors entertained. But she loses her way when cast among crowds of strangers in sixth grade. Along with getting off on the wrong foot academically, she not only becomes a target of mockery after clumsy efforts to join a clique go humiliatingly awry, but alienates potential friends (and, later, loving parents and adoring little brother too). Amid stabs of regret she wonders whether she’s more dragon than knight. In her neatly drawn sequential panels, Newbery honoree Jamieson (Roller Girl, 2015) portrays a diverse cast of expressive, naturally posed figures occupying two equally immersive worlds. In the end Imogene wins the day in both, proving the mettle of her brave, decent heart in finding ways to make better choices and chivalric amends for her misdeeds.
Readers will cheer her victories, wince at her stumbles, and likely demand visits to the nearest faire themselves to sample the wares and fun. (Graphic fiction. 10-13)Pub Date: Sept. 5, 2017
ISBN: 978-0-525-42998-2
Page Count: 248
Publisher: Dial Books
Review Posted Online: July 16, 2017
Kirkus Reviews Issue: Aug. 1, 2017
BOOK REVIEW
BOOK REVIEW
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