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AN ARTIST’S AMERICA

Organic fruit-juice entrepreneur Albert (founder of Sir Real Juices) shares his passion for pop-art-inspired collages that incorporate the ubiquitous “modern hieroglyphics” of mass-market consumer packaging. Albert employs an accessible and kid-friendly technique as he reimagines in collage such American icons as the presidents, the Gettysburg Address and Mount Rushmore. He pairs each effort with chatty, encouraging explanatory notes that detail his intent and share specifics. Many will be mesmerized and prompted to search for images of famous females in advertising (Land O’Lakes Princess, Little Debbie, Aunt Jemima, etc.) in his homage to Lazarus’s “The New Colossus” or to try to spot the ubiquitous beer-brewing patriot Sam Adams in “The Signing of the Declaration of Independence.” The enthusiastic tone and fun-loving approach may inspire kids to try their own collages, though the skimpy instructions may present a challenge. A solid choice for museum shops and library collections that emphasize arts and crafts and share an affection for pop art. In sum, a lighthearted and “green” approach that melds creation and recycling. (workshop suggestions) (Nonfiction. 7 & up)

Pub Date: May 1, 2008

ISBN: 978-0-8050-7857-2

Page Count: 48

Publisher: Henry Holt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 2008

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HOW TÍA LOLA CAME TO (VISIT) STAY

From the Tía Lola Stories series , Vol. 1

Simple, bella, un regalo permenente: simple and beautiful, a gift that will stay.

Renowned Latin American writer Alvarez has created another story about cultural identity, but this time the primary character is 11-year-old Miguel Guzmán. 

When Tía Lola arrives to help the family, Miguel and his hermana, Juanita, have just moved from New York City to Vermont with their recently divorced mother. The last thing Miguel wants, as he's trying to fit into a predominantly white community, is a flamboyant aunt who doesn't speak a word of English. Tía Lola, however, knows a language that defies words; she quickly charms and befriends all the neighbors. She can also cook exotic food, dance (anywhere, anytime), plan fun parties, and tell enchanting stories. Eventually, Tía Lola and the children swap English and Spanish ejercicios, but the true lesson is "mutual understanding." Peppered with Spanish words and phrases, Alvarez makes the reader as much a part of the "language" lessons as the characters. This story seamlessly weaves two culturaswhile letting each remain intact, just as Miguel is learning to do with his own life. Like all good stories, this one incorporates a lesson just subtle enough that readers will forget they're being taught, but in the end will understand themselves, and others, a little better, regardless of la lengua nativa—the mother tongue.

Simple, bella, un regalo permenente: simple and beautiful, a gift that will stay. (Fiction. 9-11)

Pub Date: March 1, 2001

ISBN: 0-375-80215-0

Page Count: 160

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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RIVER STORY

Trickling, bubbling, swirling, rushing, a river flows down from its mountain beginnings, past peaceful country and bustling city on its way to the sea. Hooper (The Drop in My Drink, 1998, etc.) artfully evokes the water’s changing character as it transforms from “milky-cold / rattling-bold” to a wide, slow “sliding past mudflats / looping through marshes” to the end of its journey. Willey, best known for illustrating Geraldine McCaughrean’s spectacular folk-tale collections, contributes finely detailed scenes crafted in shimmering, intricate blues and greens, capturing mountain’s chill, the bucolic serenity of passing pastures, and a sense of mystery in the water’s shadowy depths. Though Hooper refers to “the cans and cartons / and bits of old wood” being swept along, there’s no direct conservation agenda here (for that, see Debby Atwell’s River, 1999), just appreciation for the river’s beauty and being. (Picture book/nonfiction. 7-9)

Pub Date: June 1, 2000

ISBN: 0-7636-0792-4

Page Count: 32

Publisher: Candlewick

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 2000

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