Next book

Strump: A World of Shadows

Doesn’t quite reach classic status but captures many of the genre’s most enjoyable aspects while flowering with a fertile...

A war for succession consumes an imaginative fantasy world in Beas’ extremely entertaining debut novel.

King Aerostat II has two sons: the vain, narcissistic elder one, Gorgan, and his kindhearted younger brother, Alexander. Although tradition would dictate that the throne should go to Gorgan after Aerostat’s death, the old man decides to give his kingdom to Alexander. Just as Aerostatis about to make the announcement, however, the dark Lord of the Shadows, Kavardas, assassinates him, facilitating Gorgan’s rise to power and setting off a civil war between Gorgan and Alexander. While this may seem a familiar plot to fantasy fans, Beas’ novel distinguishes itself with elements as unusual as they are imaginative. One of its appealing and unique elements is the magical board game Strump, which is inextricably, mystically linked to the makeup of the actual kingdom. In order for the king or lesser leaders to rule, they must wield certain game pieces, each represented by a letter in the acronym STRUMP—S for strength, T for truth, R for righteousness, U for unity, M for malice and P for power. The type of ruler depends on the pieces he uses. Meanwhile, the kingdom is populated not only with humans but with magical figures such as pixies, mermen and brainy animals, some of the most prominent being mice—some are wizards, others are warriors—which Beas treats with only the hint of a wink. From start to finish, the novel is an immensely fun read and a wonderful throwback to fantasy classics. Perhaps one drawback, though: Whereas many contemporary fantasy novels feature morally ambiguous, complex characters, this novel’s universe is more straightforwardly black and white, good vs. evil. Nevertheless, the nostalgic vibe is balanced by sheer invention, strong prose, and a great deal of cleverness and wit.

Doesn’t quite reach classic status but captures many of the genre’s most enjoyable aspects while flowering with a fertile imagination.

Pub Date: Dec. 28, 2013

ISBN: 978-1493148226

Page Count: 448

Publisher: Xlibris

Review Posted Online: June 11, 2014

Categories:
Next book

SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

Categories:
Next book

LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

Categories:
Close Quickview