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IN THE STATE I'M IN

Genre fans will savor the espionage and political intrigue while cheering a spy who can dodge bullets with sophistication.

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Australian spy Luthan Fennes returns for his third outing in Angliss’ (Stingerbones, 2013, etc.) thriller series, this time to find who’s behind the bombings of German embassies throughout the world.

Australian Security Intelligence Organisation operative Fennes, aka the Retimer, is in Ankara, Turkey, looking into connections between Turkey’s German Embassy and recent bombings at the German Embassy in Australia. He doesn’t prevent another bombing, but he does uncover info on Johann Weber, who works at the embassy and may have been a contact for the bombers. While Turkish police believe Fennes is responsible for the bombings, he searches for the person who ordered the embassy attacks. After Fennes narrowly escapes an assassination attempt, villagers save the injured man, and he returns the favor by tracking down Asli, a victim of human traffickers who’s been missing for two years. Angliss’ writing style takes some getting used to; he’s prone to uncommon words—e.g., “refaced” (here, meaning to face someone or something again)—and strange wording, as when Fennes “entered the Internet” on his mobile phone. But the espionage, reminiscent of James Bond novels, is centered on the protagonist’s mental capacity over physical prowess. Even the action scenes, of which there are quite a few, are meticulously plotted; it’s less about Fennes’ instinctual reaction than a distinct assessment each time someone shoots at him or tosses a grenade in his direction. Fennes also manages a great deal of chic: He’s often adorned in a black suit and tie (for that matter, so are many of the villains) and drives a top-of-the-line vehicle, like a BMW or his souped-up Rallyon, which he equates with the “famous modern Batmobile.” Asli acts as a romantic interest of sorts, but Fennes’ apparent love for a woman he hardly knows seems out of place and happens so quickly that it’s not very believable. Angliss takes his hero on an adventure around the globe—Moscow, Iraq, North Korea—and he augments his story with humor and dishy one-liners, as when an ensnared suspect threatens to kill Fennes and the spy nonchalantly responds, “I’ve heard that a million times.”

Genre fans will savor the espionage and political intrigue while cheering a spy who can dodge bullets with sophistication.

Pub Date: March 12, 2014

ISBN: 978-1495448799

Page Count: 270

Publisher: CreateSpace

Review Posted Online: Sept. 8, 2014

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PRETTY GIRLS

Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that...

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Twenty-four years after a traumatic disappearance tore a Georgia family apart, Slaughter’s scorching stand-alone picks them up and shreds them all over again.

The Carrolls have never been the same since 19-year-old Julia vanished. After years of fruitlessly pestering the police, her veterinarian father, Sam, killed himself; her librarian mother, Helen, still keeps the girl's bedroom untouched, just in case. Julia’s sisters have been equally scarred. Lydia Delgado has sold herself for drugs countless times, though she’s been clean for years now; Claire Scott has just been paroled after knee-capping her tennis partner for a thoughtless remark. The evening that Claire’s ankle bracelet comes off, her architect husband, Paul, is callously murdered before her eyes and, without a moment's letup, she stumbles on a mountainous cache of snuff porn. Paul’s business partner, Adam Quinn, demands information from Claire and threatens her with dire consequences if she doesn’t deliver. The Dunwoody police prove as ineffectual as ever. FBI agent Fred Nolan is more suavely menacing than helpful. So Lydia and Claire, who’ve grown so far apart that they’re virtual strangers, are unwillingly thrown back on each other for help. Once she’s plunged you into this maelstrom, Slaughter shreds your own nerves along with those of the sisters, not simply by a parade of gruesome revelations—though she supplies them in abundance—but by peeling back layer after layer from beloved family members Claire and Lydia thought they knew. The results are harrowing.

Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that she makes most of her high-wire competition look pallid, formulaic, or just plain fake.

Pub Date: Sept. 29, 2015

ISBN: 978-0-06-242905-6

Page Count: 400

Publisher: Morrow/HarperCollins

Review Posted Online: June 30, 2015

Kirkus Reviews Issue: July 15, 2015

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NINTH HOUSE

With an aura of both enchantment and authenticity, Bardugo’s compulsively readable novel leaves a portal ajar for equally...

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Yale’s secret societies hide a supernatural secret in this fantasy/murder mystery/school story.

Most Yale students get admitted through some combination of impressive academics, athletics, extracurriculars, family connections, and donations, or perhaps bribing the right coach. Not Galaxy “Alex” Stern. The protagonist of Bardugo’s (King of Scars, 2019, etc.) first novel for adults, a high school dropout and low-level drug dealer, Alex got in because she can see dead people. A Yale dean who's a member of Lethe, one of the college’s famously mysterious secret societies, offers Alex a free ride if she will use her spook-spotting abilities to help Lethe with its mission: overseeing the other secret societies’ occult rituals. In Bardugo’s universe, the “Ancient Eight” secret societies (Lethe is the eponymous Ninth House) are not just old boys’ breeding grounds for the CIA, CEOs, Supreme Court justices, and so on, as they are in ours; they’re wielders of actual magic. Skull and Bones performs prognostications by borrowing patients from the local hospital, cutting them open, and examining their entrails. St. Elmo’s specializes in weather magic, useful for commodities traders; Aurelian, in unbreakable contracts; Manuscript goes in for glamours, or “illusions and lies,” helpful to politicians and movie stars alike. And all these rituals attract ghosts. It’s Alex’s job to keep the supernatural forces from embarrassing the magical elite by releasing chaos into the community (all while trying desperately to keep her grades up). “Dealing with ghosts was like riding the subway: Do not make eye contact. Do not smile. Do not engage. Otherwise, you never know what might follow you home.” A townie’s murder sets in motion a taut plot full of drug deals, drunken assaults, corruption, and cover-ups. Loyalties stretch and snap. Under it all runs the deep, dark river of ambition and anxiety that at once powers and undermines the Yale experience. Alex may have more reason than most to feel like an imposter, but anyone who’s spent time around the golden children of the Ivy League will likely recognize her self-doubt.

With an aura of both enchantment and authenticity, Bardugo’s compulsively readable novel leaves a portal ajar for equally dazzling sequels.

Pub Date: Oct. 1, 2019

ISBN: 978-1-250-31307-2

Page Count: 448

Publisher: Flatiron Books

Review Posted Online: June 30, 2019

Kirkus Reviews Issue: July 15, 2019

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