by Michael Bennett & Dave Zirin ‧ RELEASE DATE: April 3, 2018
A fiery memoir/manifesto by an athlete with his heart in the right place.
An outspoken activist athlete practically dares readers to think of professional football and its players in the same way again after finishing this book.
To say that Bennett, who co-authored this book with activist-minded Nation sports editor Zirin, has a chip on his shoulder would be an understatement. He was born to a teenage mother and raised by his father with his brother Martellus, also an outspoken pro football player. After the family split and he finished his college career at Texas A&M, he went undrafted by the NFL because he wasn’t considered “coachable”—i.e., he thought too independently and spoke his mind. He calls the NCAA “a gangster operation, a shakedown, and a system that works for everyone but the so-called student-athletes.” He notes how his brother has called the NFL “ 'Niggas For Lease’—and that’s the most brutally honest thing I’ve ever heard”—later, though, he engages in a nuanced analysis of that hateful epithet and its variations. He compares the dehumanizing flesh market of the NFL combine to “slave auctions,” staunchly defends Colin Kaepernick as an athletic hero, and makes an impassioned defense for taking a knee or locking arms during the national anthem. In places, the book reads like the author is trying to be as provocative as possible, but he ultimately shows a commendable seriousness of purpose, providing a call to arms to other pro athletes to use their platforms for cultural responsibility and to fans to understand the human dimension of the NFL and the price paid for the on-field violence that serves as their entertainment. Bennett is particularly incisive on branding and on the conditional nature of fandom: “I’ll be a football player for just a few more years,” he writes, “but I’ll be Black forever.” He ends on a moving note of reconciliation, as he bridges the gulf with his birth mother and tries to get his father, stepmother, and brother to do the same.
A fiery memoir/manifesto by an athlete with his heart in the right place.Pub Date: April 3, 2018
ISBN: 978-1-60846-893-5
Page Count: 220
Publisher: Haymarket Books
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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by Tom Clavin ‧ RELEASE DATE: April 21, 2020
Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.
Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.
The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.
Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.Pub Date: April 21, 2020
ISBN: 978-1-250-21458-4
Page Count: 400
Publisher: St. Martin's
Review Posted Online: Jan. 19, 2020
Kirkus Reviews Issue: Feb. 15, 2020
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by Bob Drury & Tom Clavin
by Emmanuel Carrère translated by Linda Coverdale ‧ RELEASE DATE: Sept. 13, 2011
The book begins in Sri Lanka with the tsunami of 2004—a horror the author saw firsthand, and the aftermath of which he...
The latest from French writer/filmmaker Carrère (My Life as a Russian Novel, 2010, etc.) is an awkward but intermittently touching hybrid of novel and autobiography.
The book begins in Sri Lanka with the tsunami of 2004—a horror the author saw firsthand, and the aftermath of which he describes powerfully. Carrère and his partner, Hélène, then return to Paris—and do so with a mutual devotion that's been renewed and deepened by all they've witnessed. Back in France, Hélène's sister Juliette, a magistrate and mother of three small daughters, has suffered a recurrence of the cancer that crippled her in adolescence. After her death, Carrère decides to write an oblique tribute and an investigation into the ravages of grief. He focuses first on Juliette's colleague and intimate friend Étienne, himself an amputee and survivor of childhood cancer, and a man in whose talkativeness and strength Carrère sees parallels to himself ("He liked to talk about himself. It's my way, he said, of talking to and about others, and he remarked astutely that it was my way, too”). Étienne is a perceptive, dignified person and a loyal, loving friend, and Carrère's portrait of him—including an unexpectedly fascinating foray into Étienne and Juliette's chief professional accomplishment, which was to tap the new European courts for help in overturning longtime French precedents that advantaged credit-card companies over small borrowers—is impressive. Less successful is Carrère's account of Juliette's widower, Patrice, an unworldly cartoonist whom he admires for his fortitude but seems to consider something of a simpleton. Now and again, especially in the Étienne sections, Carrère's meditations pay off in fresh, pungent insights, and his account of Juliette's last days and of the aftermath (especially for her daughters) is quietly harrowing.Pub Date: Sept. 13, 2011
ISBN: 978-0-8050-9261-5
Page Count: 256
Publisher: Metropolitan/Henry Holt
Review Posted Online: Aug. 10, 2011
Kirkus Reviews Issue: Sept. 1, 2011
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by Emmanuel Carrère ; translated by John Lambert
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by Emmanuel Carrère ; translated by John Lambert
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by Emmanuel Carrère ; translated by John Lambert
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