by Michael Boudreau ‧ RELEASE DATE: March 20, 2019
A brutally honest, engaging account that’s revealing, disturbing, and quite poignant.
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In his debut memoir, a writer takes readers on a trip through his family’s troubled past, determined to find closure and forgive his dysfunctional parents for the hurt inflicted on him and his siblings.
Boudreau was born in 1956 in Boston, the third of eight kids, all of whom still bear psychological scars from a poverty-stricken, abusive childhood. He begins his story near the end. He and his wife were buying food and supplies for his 81-year old, twice widowed mother, Gert. By this time, only Boudreau and two of his siblings would have anything to do with “Ma.” He entered Gert’s house in Readville (a neighborhood in Boston) and painful, angry memories of a childhood marked by instability and neglect came flooding back: “By the time I reached my eighteenth birthday and enlisted in the air force, we’d easily moved more than seventy-five times,” always leaving in their wake a stack of unpaid bills. The visit serves as a fulcrum for Boudreau’s narrative, which vacillates between past and present as he reviews his life and family relationships. According to the author, his father, George, was “unpredictable, violent, and abusive” while his mother always assumed a posture of helplessness, standing by passively while her husband inflicted his beatings on one child or another. She attempted “to infect us all with her neuroses,” the author recalls. At 15, after a verbal and physical confrontation with his father, Boudreau permanently left home, moving into a Boston commune to live with his older sister, Diane. Plenty of justifiable rage flows from these pages, although it is packaged in articulate prose and wrapped in psychological theory. Some passages describing the author’s parents are very personal and a bit uncomfortable to read. Of his father, he writes: “He always took his full upper and lower dentures out the minute he came home…. He’d wrap them in the snot-filled handkerchief he always kept stuffed in his back pocket.” In this candid and moving book, readers will feel the constant battle between Boudreau’s training in community social psychology and his ever-present baggage of having been raised by emotionally damaged parents.
A brutally honest, engaging account that’s revealing, disturbing, and quite poignant.Pub Date: March 20, 2019
ISBN: 978-1-4834-9888-1
Page Count: 174
Publisher: Lulu
Review Posted Online: July 10, 2019
Review Program: Kirkus Indie
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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