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THE NAME OF THE RIDER

An entertaining tale of an off-kilter mind coping with shady surroundings, told with literary flair.

Awards & Accolades

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Creeping schizophrenia takes the reins of a young doctor’s mind in this subtle psychological mystery.

Simon Felsper, a medical student in London during the 1950s, has a preternaturally soothing bedside manner that makes him a favorite with patients. He also has, according to a psychiatry lecture he attends, the symptoms of a schizophrenic—an obsession with good-luck rituals; an authoritative voice in his head whom he dubs One; a penchant for biblical-sounding pronouncements like “You are the chosen one”; and a feeling that he is the target of a vague plot by one of his classmates, an aristocratic rake with the deceptively harmless nickname of Badger. When he is exiled to San Francisco after a run-in with Badger, Simon’s medical practice swells along with his sense of destiny. Convinced by One’s declarations that he is an enlightened soul, Simon believes that he can cure vague pains and malaise just by laying on his hands—and soon a devoted following of patients agrees. Yet he can’t shake the influence, real or imagined, of Badger, whose tentacles extend to a senior colleague and a high-priced call girl whom Simon is seeing and eventually entangle Simon in a murder. The author makes this odd, potentially claustrophobic story into an entertaining, slightly satirical novel of manners with noir-ish overtones, as Simon’s sensitive, grandiose perspective plays off the prosaic, crass outlooks of the people around him in a symphony of mutual incomprehension. Brooke tells the yarn with a dry wit, sharp-eyed prose and a knack for vibrant characterizations. (Badger, a confection of bluster, bonhomie and sly malice, is indelible.) The author is also a neurologist, and one of the book’s manifold pleasures is its well-observed portrait of the medical culture of 50 years ago, when authoritarian doctors treated patients with exquisite disdain. Brooke gives us a shrewd, absorbing study of a sensitive soul drawn into paranoid delusions that may not be so far-fetched.

An entertaining tale of an off-kilter mind coping with shady surroundings, told with literary flair.

Pub Date: Sept. 1, 2011

ISBN: 978-0986823206

Page Count: 424

Publisher: Michael Brooke Publishing

Review Posted Online: May 23, 2011

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TRUE BETRAYALS

Thoroughbreds and Virginia blue-bloods cavort, commit murder, and fall in love in Roberts's (Hidden Riches, 1994, etc.) latest romantic thriller — this one set in the world of championship horse racing. Rich, sheltered Kelsey Byden is recovering from a recent divorce when she receives a letter from her mother, Naomi, a woman she has believed dead for over 20 years. When Kelsey confronts her genteel English professor father, though, he sheepishly confesses that, no, her mother isn't dead; throughout Kelsey's childhood, she was doing time for the murder of her lover. Kelsey meets with Naomi and not only finds her quite charming, but the owner of Three Willows, one of the most splendid horse farms in Virginia. Kelsey is further intrigued when she meets Gabe Slater, a blue-eyed gambling man who owns a neighboring horse farm; when one of Gabe's horses is mated with Naomi's, nostrils flare, flanks quiver, and the romance is on. Since both Naomi and Gabe have horses entered in the Kentucky Derby, Kelsey is soon swept into the whirlwind of the Triple Crown, in spite of her family's objections to her reconciliation with the notorious Naomi. The rivalry between the two horse farms remains friendly, but other competitors — one of them is Gabe's father, a vicious alcoholic who resents his son's success — prove less scrupulous. Bodies, horse and human, start piling up, just as Kelsey decides to investigate the murky details of her mother's crime. Is it possible she was framed? The ground is thick with no-goods, including haughty patricians, disgruntled grooms, and jockeys with tragic pasts, but despite all the distractions, the identity of the true culprit behind the mayhem — past and present — remains fairly obvious. The plot lopes rather than races to the finish. Gambling metaphors abound, and sexual doings have a distinctly equine tone. But Roberts's style has a fresh, contemporary snap that gets the story past its own worst excesses.

Pub Date: June 13, 1995

ISBN: 0-399-14059-X

Page Count: 400

Publisher: Putnam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 1995

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HOME FRONT

Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s...

 The traumatic homecoming of a wounded warrior.

The daughter of alcoholics who left her orphaned at 17, Jolene “Jo” Zarkades found her first stable family in the military: She’s served over two decades, first in the army, later with the National Guard. A helicopter pilot stationed near Seattle, Jo copes as competently at home, raising two daughters, Betsy and Lulu, while trying to dismiss her husband Michael’s increasing emotional distance. Jo’s mettle is sorely tested when Michael informs her flatly that he no longer loves her. Four-year-old Lulu clamors for attention while preteen Betsy, mean-girl-in-training, dismisses as dweeby her former best friend, Seth, son of Jo’s confidante and fellow pilot, Tami. Amid these challenges comes the ultimate one: Jo and Tami are deployed to Iraq. Michael, with the help of his mother, has to take over the household duties, and he rapidly learns that parenting is much harder than his wife made it look. As Michael prepares to defend a PTSD-afflicted veteran charged with Murder I for killing his wife during a dissociative blackout, he begins to understand what Jolene is facing and to revisit his true feelings for her. When her helicopter is shot down under insurgent fire, Jo rescues Tami from the wreck, but a young crewman is killed. Tami remains in a coma and Jo, whose leg has been amputated, returns home to a difficult rehabilitation on several fronts. Her nightmares in which she relives the crash and other horrors she witnessed, and her pain, have turned Jo into a person her daughters now fear (which in the case of bratty Betsy may not be such a bad thing). Jo can't forgive Michael for his rash words. Worse, she is beginning to remind Michael more and more of his homicide client. Characterization can be cursory: Michael’s earlier callousness, left largely unexplained, undercuts the pathos of his later change of heart. 

Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s aftermath.

Pub Date: Jan. 31, 2012

ISBN: 978-0-312-57720-9

Page Count: 400

Publisher: St. Martin's

Review Posted Online: Dec. 18, 2011

Kirkus Reviews Issue: Jan. 1, 2012

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