Writing with a good feel for the period, White (Marked Man, 2000, etc.) manages to get the history right and keep the...

THE GARDEN OF MARTYRS

A historical thriller about two real-life Irish Catholics who were arrested for a brutal murder in early 19th-century Boston.

The great flood of Irish immigration has barely begun in 1805, but New England is a seedbed of nativist resentment all the same. Staunchly Protestant and overwhelmingly xenophobic, the Yankees of the new republic fear foreigners and hate Catholics—especially when the two are one. For French priest Jean Cheverus, the newcomers are both a challenge and a promise as he works among them to build a Catholic society in the New World, but to most Bostonians the Irish are a plague of locusts intent on despoiling their paradise. When a peaceable farmer is murdered in broad daylight on the Post Road in November 1805 and two Irishmen are charged with the crime, these fears seem justified. Dominic Daley and James Halligan are found near the scene with their pockets full of the dead man’s money and are identified by an eyewitness who saw them with the victim that very day. It looks like a good case for the prosecution, and the truth is that even a poor one would probably get an Irish Catholic hanged. Daley’s devout wife and parents, however, refuse to believe the charge, and they ask Father Cheverus to intervene with the governor. Cheverus, who lived through the French Revolution and fears a new persecution in Boston, wants to keep the Church neutral, but he also feels obliged to help members of his flock. Daley and Halligan, for their part, swear that they are innocent and claim they found the money in a field. Their lawyer is given only three days to prepare their case. Don’t expect a replay of the Amistad trial here.

Writing with a good feel for the period, White (Marked Man, 2000, etc.) manages to get the history right and keep the narrative taut at the same time.

Pub Date: May 1, 2004

ISBN: 0-312-32208-9

Page Count: 368

Publisher: St. Martin's

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 15, 2004

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The phrase “tour de force” could have been invented for this audacious novel.

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A LITTLE LIFE

Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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Miller makes Homer pertinent to women facing 21st-century monsters.

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CIRCE

A retelling of ancient Greek lore gives exhilarating voice to a witch.

“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.

Miller makes Homer pertinent to women facing 21st-century monsters.

Pub Date: April 10, 2018

ISBN: 978-0-316-55634-7

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Jan. 23, 2018

Kirkus Reviews Issue: Feb. 1, 2018

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