There are definitely lessons about taking only what you need, about care for the needs of others and about listening to what...
A boy with a singular talent catches the eye of the king, with ominous results, but it turns out well.
In rhythmic text that holds an occasional rhyme, the story unfolds. The boy weaves wondrous cloth from the clouds: gold in the morning, white in the afternoon, crimson at sunset, “[j]ust as his mother had taught him.” His mother also taught him to be sparing, so he uses just enough to weave a white scarf to protect his head from the heat of the day, and a gold and crimson one to keep him warm in the cold. The king, recognizing the beauty of the scarves, demands the boy weave a scarf for him. The boy boldly says the king does not need this, but the king insists. When he gets the scarf, he wants a cloak and dresses for his wife and daughter besides. The boy sadly complies, but then there are no more clouds, hence no rain, and the kingdom suffers. The young princess, however, returns the weaving to the boy, who releases the yarn and restores the clouds. Much happens in Jay’s luminous, crackle-finish pictures. Almost every cloud adopts a shape, from hats to fishes and strange creatures. The hills and the houses have gentle or surprised faces made of flowers and wildlife or windows and doors, so subtle one only notices them on the second or third reading. Her figures have roly-poly bodies and tiny heads, her colors simply glow.
There are definitely lessons about taking only what you need, about care for the needs of others and about listening to what is unsaid, but they are fully inside the story and only add to the pleasure. (Picture book. 5-8)Pub Date: March 13, 2012
ISBN: 978-0-375-87011-8
Page Count: 32
Publisher: Knopf
Review Posted Online: Dec. 13, 2011
Kirkus Reviews Issue: Jan. 1, 2012
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A lesson that never grows old, enacted with verve by two favorite friends
Gerald the elephant learns a truth familiar to every preschooler—heck, every human: “Waiting is not easy!”
When Piggie cartwheels up to Gerald announcing that she has a surprise for him, Gerald is less than pleased to learn that the “surprise is a surprise.” Gerald pumps Piggie for information (it’s big, it’s pretty, and they can share it), but Piggie holds fast on this basic principle: Gerald will have to wait. Gerald lets out an almighty “GROAN!” Variations on this basic exchange occur throughout the day; Gerald pleads, Piggie insists they must wait; Gerald groans. As the day turns to twilight (signaled by the backgrounds that darken from mauve to gray to charcoal), Gerald gets grumpy. “WE HAVE WASTED THE WHOLE DAY!…And for WHAT!?” Piggie then gestures up to the Milky Way, which an awed Gerald acknowledges “was worth the wait.” Willems relies even more than usual on the slightest of changes in posture, layout and typography, as two waiting figures can’t help but be pretty static. At one point, Piggie assumes the lotus position, infuriating Gerald. Most amusingly, Gerald’s elephantine groans assume weighty physicality in spread-filling speech bubbles that knock Piggie to the ground. And the spectacular, photo-collaged images of the Milky Way that dwarf the two friends makes it clear that it was indeed worth the wait.
A lesson that never grows old, enacted with verve by two favorite friends . (Early reader. 6-8)Pub Date: Nov. 4, 2014
ISBN: 978-1-4231-9957-1
Page Count: 64
Publisher: Hyperion
Review Posted Online: Nov. 4, 2014
Kirkus Reviews Issue: Nov. 15, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Inspiration, shrink wrapped.
From an artist, poet, and Instagram celebrity, a pep talk for all who question where a new road might lead.
Opening by asking readers, “Have you ever wanted to go in a different direction,” the unnamed narrator describes having such a feeling and then witnessing the appearance of a new road “almost as if it were magic.” “Where do you lead?” the narrator asks. The Road’s twice-iterated response—“Be a leader and find out”—bookends a dialogue in which a traveler’s anxieties are answered by platitudes. “What if I fall?” worries the narrator in a stylized, faux hand-lettered type Wade’s Instagram followers will recognize. The Road’s dialogue and the narration are set in a chunky, sans-serif type with no quotation marks, so the one flows into the other confusingly. “Everyone falls at some point, said the Road. / But I will always be there when you land.” Narrator: “What if the world around us is filled with hate?” Road: “Lead it to love.” Narrator: “What if I feel stuck?” Road: “Keep going.” De Moyencourt illustrates this colloquy with luminous scenes of a small, brown-skinned child, face turned away from viewers so all they see is a mop of blond curls. The child steps into an urban mural, walks along a winding country road through broad rural landscapes and scary woods, climbs a rugged metaphorical mountain, then comes to stand at last, Little Prince–like, on a tiny blue and green planet. Wade’s closing claim that her message isn’t meant just for children is likely superfluous…in fact, forget the just.
Inspiration, shrink wrapped. (Picture book. 6-8, adult)Pub Date: March 23, 2021
ISBN: 978-1-250-26949-2
Page Count: 40
Publisher: Feiwel & Friends
Review Posted Online: April 7, 2021
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