KINGDOM OF OLIVES AND ASH

WRITERS CONFRONT THE OCCUPATION

Deeply unsettling, important stories call for urgent responses to the Middle East conflict.

On the 50th anniversary of Israeli occupation of Palestine, top writers bear witness to oppression and despair.

When Waldman (A Really Good Day: How Microdosing Made a Mega Difference in My Mood, My Marriage, and My Life, 2017, etc.) visited Israel for the Jerusalem International Writers Festival in 2014, she met members of the nonprofit groups Breaking the Silence and Youth Against Settlements, who helped her to understand “the massive, often brutal, always dehumanizing military bureaucracy” that defines the occupation. Hoping to focus attention on the desperate situation, she and her husband, Pulitzer Prize–winning novelist Chabon (Moonglow, 2016, etc.), invited an international roster of writers to tour towns and villages in the Israeli-occupied territories and meet with community organizers, workers, artists, activists, farmers, and families, as well as Israeli settlers and disillusioned soldiers. Their responses to those visits are moving, heartbreaking, and infuriating, testifying to the chilling cruelty of Israel’s policy toward Palestinians. Even Palestinians given Israeli citizenship are vulnerable to “demographic transfer”—or “forced displacement” in order “to achieve the ‘purity’ of ‘the Jewish state,’ ” writes Palestinian-born, British-educated Fida Jiryis. “One can only wonder at the sadistic ingenuity with which Israel has woven an airtight system around us to suffocate every aspect of our lives.” Walls are a recurrent image: they keep Palestinians in their crumbling towns and separate farmers from their land, workers from their jobs, and family members from one another. Gaza, writes Dave Eggers, “is a prison” with a 40-mile, 25-foot wall on its northern border with Israel and the heavily patrolled Mediterranean on the west. Checkpoints require elaborate documentation, which takes countless hours to assemble. As Chabon notes, “control of time is one of the biggest weapons of the occupation.” Young soldiers wield deadly power capriciously; houses are evacuated and razed in the middle of the night; a refugee camp has “no infrastructure of any kind.” Among the most well-known contributors are Geraldine Brooks, Mario Vargas Llosa, Colum McCann, and Jacqueline Woodson; royalties will go to NGOs.

Deeply unsettling, important stories call for urgent responses to the Middle East conflict.

Pub Date: May 30, 2017

ISBN: 978-0-06-243178-3

Page Count: 448

Publisher: Perennial/HarperCollins

Review Posted Online: March 1, 2017

Kirkus Reviews Issue: March 15, 2017

NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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