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MAIN STREET USA

A PHOTOGRAPHIC JOURNEY TO FORGOTTEN AMERICA

A stark and meditative but loosely organized coffee-table book.

A photographer sets out to capture the decaying main streets of America in this photo book.

Many of the country’s small towns are undergoing tragic transformation, as increased automation and outsourcing have eliminated factory jobs, and in many places, the steel and coal industries have largely dried up. In this debut collection, Chiusano, a retired professional photographer, documents these communities. He spent much of his life in the suburbs of Boston, but after the death of his wife of 36 years in 2009, he took to the roads, exploring locales outside of America’s coastal hubs and documenting forgotten parts of the country. These include small towns below the Mason-Dixon Line; quiet, rural unincorporated territories of New England; and desert warehouses in the Southwest. He shows—in digital and film images, in color and black-and-white—how mom-and-pop businesses of yesteryear have been replaced by franchises, such as Dunkin’ Donuts, but also how entrepreneurs have turned old retail locations into small restaurants or odd, niche curiosity shops. Although Chiusano’s text sometimes expresses optimism it’s often difficult to see it in the faces of the people he captures in his photographs. One image of an elderly couple helping each other walk down the street, for example, is particularly tragic, as nobody from the next generation is around to assist them. The author’s captions, though, are short and imprecise; some reveal their subjects’ location and others don’t, and Chiusano’s journey isn’t presented in any discernible, chronological order. Instead, loose categorization breaks the book up, with headings such as “Structure,” “People,” “Pride of Place,” and others, although these seem largely interchangeable. Despite the focus on people and the places where they live, the book also revels in old signage, logos, and advertisements—an appealing flourish that could easily have anchored a section unto itself.

A stark and meditative but loosely organized coffee-table book.

Pub Date: Dec. 28, 2017

ISBN: 978-0-692997-22-2

Page Count: 84

Publisher: Time Tunnel Media

Review Posted Online: Jan. 29, 2019

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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