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THE MEANING OF NIGHT

A CONFESSION

Cox has a fine time putting all these questions into play in this long, learned and remarkably entertaining treat, which...

A bibliophilic, cozy, murderous confection out of foggy old England.

Mystery writers who have taken up residence in the Victorian era have concentrated mostly on the later years, when Sherlock Holmes and Jack the Ripper haunted the streets of London. Cox, biographer of M.R. James and anthologist of other Victorian scary storytellers, plants his pleasantly meandering story early in Victoria and Albert’s rule, a time when the old class system was fraying at the edges while hungry country folk and proletarians began to push for a bigger piece of the butterpie. Our dark hero, Edward Glyver, aka Edward Glapthorn, has many a grievance to lodge: He is, or at least believes himself to be, or at least professes to be—he’s a most complex fellow, and we can never be sure—a bastard in the classic sense, sired by a booming war hero whom only Aubrey Smith could play. He has also been sorely wronged by the deeply class-conscious, deeply disagreeable Phoebus Daunt, who survives boarding school and all its buggeries and betrayals only to spill out Swinburnesque verse. Annoyed, jealous, downright irritated, E.G. does the natural thing: A bookish sort with a criminal streak a league wide, he slaughters an apparently innocent fellow in the wrong place at the wrong time. “You must understand,” he intones, “that I am not a murderer by nature, only by temporary design.” Ah, but someone has seen, and now neatly nibbed notes are arriving under his door and that of his intended, warning her that she had better steer clear and that he had better watch his back. Who is writing these notes? Who would want to harm our blameless E.G.? Whom should E.G. massacre next to protect his assets?

Cox has a fine time putting all these questions into play in this long, learned and remarkably entertaining treat, which begs comparison with the work of Patricia Highsmith.

Pub Date: Sept. 1, 2006

ISBN: 0-393-06203-1

Page Count: 672

Publisher: Norton

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 2006

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A KILLER EDITION

An anodyne visit with Tricia and her friends and enemies hung on a thin mystery.

Too much free time leads a New Hampshire bookseller into yet another case of murder.

Now that Tricia Miles has Pixie Poe and Mr. Everett practically running her bookstore, Haven’t Got a Clue, she finds herself at loose ends. Her wealthy sister, Angelica, who in the guise of Nigela Ricita has invested heavily in making Stoneham a bookish tourist attraction, is entering the amateur competition for the Great Booktown Bake-Off. So Tricia, who’s recently taken up baking as a hobby, decides to join her and spends a lot of time looking for the perfect cupcake recipe. A visit to another bookstore leaves Tricia witnessing a nasty argument between owner Joyce Widman and next-door neighbor Vera Olson over the trimming of tree branches that hang over Joyce’s yard—also overheard by new town police officer Cindy Pearson. After Tricia accepts Joyce’s offer of some produce from her garden, they find Vera skewered by a pitchfork, and when Police Chief Grant Baker arrives, Joyce is his obvious suspect. Ever since Tricia moved to Stoneham, the homicide rate has skyrocketed (Poisoned Pages, 2018, etc.), and her history with Baker is fraught. She’s also become suspicious about the activities at Pets-A-Plenty, the animal shelter where Vera was a dedicated volunteer. Tricia’s offered her expertise to the board, but president Toby Kingston has been less than welcoming. With nothing but baking on her calendar, Tricia has plenty of time to investigate both the murder and her vague suspicions about the shelter. Plenty of small-town friendships and rivalries emerge in her quest for the truth.

An anodyne visit with Tricia and her friends and enemies hung on a thin mystery.

Pub Date: Aug. 13, 2019

ISBN: 978-1-9848-0272-9

Page Count: 320

Publisher: Berkley

Review Posted Online: May 26, 2019

Kirkus Reviews Issue: June 15, 2019

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MURDER ON THE ORIENT EXPRESS

A murder is committed in a stalled transcontinental train in the Balkans, and every passenger has a watertight alibi. But Hercule Poirot finds a way.

  **Note: This classic Agatha Christie mystery was originally published in England as Murder on the Orient Express, but in the United States as Murder in the Calais Coach.  Kirkus reviewed the book in 1934 under the original US title, but we changed the title in our database to the now recognizable title Murder on the Orient Express.  This is the only name now known for the book.  The reason the US publisher, Dodd Mead, did not use the UK title in 1934 was to avoid confusion with the 1932 Graham Greene novel, Orient Express.

 

Pub Date: Feb. 28, 1934

ISBN: 978-0062073495

Page Count: -

Publisher: Dodd, Mead

Review Posted Online: Sept. 20, 2011

Kirkus Reviews Issue: Feb. 1, 1934

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