A delightful group portrait of the West Village as it has been and can be.

WEST VILLAGE ORIGINALS

A compilation of interviews with accomplished residents of New York City’s West Village.

Minichiello, a reporter for Westview News (the West Village’s local paper), has compiled his first book from two decades’ worth of interviews with neighborhood residents who are prominent in a variety of fields, including business, community activism, and the arts. The youngest interviewees are from Generation X, although the majority are older. They include some well-known names, such as authors Barbara Garson, Calvin Trillin, and Susan Brownmiller, but even those who are less celebrated have achieved things worth knowing. The interviews, with minor variations, follow a clear format, beginning with a short autobiography that includes a survey of the interviewee’s career and how they came to the Village. Almost all end with the person’s assessment of the Village today compared to times past. A very few of them, such as painter Marjorie Colt, have left the Village and speak about that. When comparing the Village of the past with that of the present, most agree that the neighborhood residents are wealthier than they used to be and that the Village is no longer a haven for the struggling and creative—the very environment that brought many of the interviewees there. Overall, they see this gentrification as a mixed blessing, but they differ as to whether the arrival of high-end retail has stripped the Village of its character. More controversially, some talk about how the Village’s gay identity was clearer in the past in a variety of ways—a subject addressed by several LGBTQ+ interviewees, including Richard Eric Weigle, longtime president of the Grove Street Block Association, who says, “When I moved here [in 1973] it was 80% gay and now [in 2017] it’s 80% straight.” The interviews also raise the question of whether the Village can ever return to being the affordable place for the creative that it once was—and a couple believe so. In any case, the stories of these “West Village Originals” may make many others wish they could live and create in the Village, as well.

A delightful group portrait of the West Village as it has been and can be.

Pub Date: Dec. 1, 2021

ISBN: 978-1-949596-10-6

Page Count: 220

Publisher: BIOS Books

Review Posted Online: Nov. 15, 2021

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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A refreshing celebrity memoir focused not strictly on the self but on a much larger horizon.

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WILL

One of Hollywood’s biggest stars delivers a memoir of success won through endless, relentless work and self-reckoning.

“My imagination is my gift, and when it merges with my work ethic, I can make money rain from the heavens.” So writes Smith, whose imagination is indeed a thing of wonder—a means of coping with fear, an abusive father with the heart of a drill instructor, and all manner of inner yearnings. The author’s imagination took him from a job bagging ice in Philadelphia to initial success as a partner in the Grammy-winning rap act DJ Jazzy Jeff and the Fresh Prince. Smith was propelled into stardom thanks to the ministrations of Quincy Jones, who arranged an audition in the middle of his own birthday party, bellowing “No paralysis through analysis!” when Smith begged for time to prepare. The mantra—which Jones intoned 50-odd times during the two hours it took for the Hollywood suits to draw up a contract for the hit comedy series The Fresh Prince of Bel-Air—is telling, for hidden within this memoir lies a powerful self-help book. For Smith, all of life is a challenge in which one’s feelings are largely immaterial. “I watched my father’s negative emotions seize control of his ample intellect and cause him over and over again to destroy beautiful parts of our family,” he writes, good reason for him to sublimate negativity in the drive to get what he wanted—money, at first, and lots of it, which got him in trouble with the IRS in the early 1990s. Smith, having developed a self-image that cast him as a coward, opines that one’s best life is lived by facing up to the things that hold us back. “I’ve been making a conscious effort to attack all the things that I’m scared of,” he writes, adding, “And this is scary.” It’s a good lesson for any aspiring creative to ponder—though it helps to have Smith’s abundant talent, too.

A refreshing celebrity memoir focused not strictly on the self but on a much larger horizon.

Pub Date: Nov. 9, 2021

ISBN: 978-1-984877-92-5

Page Count: 432

Publisher: Penguin Press

Review Posted Online: Nov. 9, 2021

Kirkus Reviews Issue: Dec. 15, 2021

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