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JEREMY CUTLER AND THE TORCH OF TIME

Familial strife initiates a fresh and lively clique of magic-wielding teens.

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This debut middle-grade fantasy stars a boy whose true parentage hints at a magical destiny.

Ten years ago, Todd Selby missed his morning train at Waterloo Station in London. He also happened to save a woman who’d been jostled by rambunctious children from falling. Enter Grimble the goblin, who presented them with a swaddled baby. He told them to take the child east to Canterbury and settle there. The enchanted couple did so, and now the child is 11-year-old Jeremy Cutler. He has no idea that he’s an Everborn, from the magical kingdom of Averland. Nor does he realize that Harkkruin, the Dark Apprentice of Mordin, once again moves against the Everborn people. Only Jeremy’s neighbor Charles Gaper seems capable of preparing the boy for the challenges ahead. He places Jeremy on a special train to Coventry and into the care of Mr. and Mrs. Nockins, fellow Everborns. From his room in their home, he accesses a tunnel leading to the Fairwoods of Averland. He soon meets his mentor, Windermere Hawksley, who gives him the Seeson and Thyme Observation Deck of cards and informs him that his real parents await in the lost Castle of Airenel. In this novel, Faix unfurls a vibrant, complex tapestry reminiscent of J.K. Rowling’s Harry Potter universe. Adding emotional weight to the narrative is that it’s set during Halloween and then Christmas, holidays that Jeremy’s adoptive mother, Sharon, hasn’t had the heart to celebrate in the years since her own mother died. Her awakening from a depression coincides with the protagonist’s descent into the magical. Though Jeremy is 11, older teen readers should enjoy the detailed plot that involves a rash of kidnappings, time travel, and numerous inventive fantasy scenarios. One episode includes the pirate ship Polaris, which carries Jeremy upriver and through a forest lit by colorful fairyflies, where “the air tasted sweet and cool, with hints of peppermint and gingerbread.” This opening volume of a series also introduces fellow youthful adventurers Tripp Cunning, Ree Spinnler, and Ckyler Blewett, with whom our hero must prepare to face darker threats.

Familial strife initiates a fresh and lively clique of magic-wielding teens.

Pub Date: Nov. 30, 2017

ISBN: 978-1-944715-24-3

Page Count: 264

Publisher: Black Rose Writing

Review Posted Online: Feb. 15, 2018

Kirkus Reviews Issue: April 15, 2018

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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