``The very act of living in the United States puts you at great risk for obesity,'' warns science writer Fumento in this harangue with a clear message: The fault, dear fatties, lies in overconsumption and underexertion. The formerly fat but now happily and proudly trim Fumento (Science Under Siege, 1992; The Myth of Heterosexual AIDS, 1990) charges that the current craze for low-fat but not-so-low-calorie processed foods is giving consumers bigger waistlines while making megabucks for the food industry. The other profit-makers he pillories, with words like ``huckster'' and ``sham,'' are the writers (and publishers) of diet books, such as Susan Powter for Stop the Insanity and Cliff Sheats for Lean Bodies. He has some strong words for the tactics of Nutri/System and Jenny Craig, too, but it is the National Association for the Advancement of Fat Acceptance that really ticks him off. It is time for an attitude adjustment, he argues, calling for society to return to the values of moderation and setting limits. He'd like to see an anti-obesity campaign along the lines of the anti-smoking campaign that made puffing on cigarettes appear gauche, and he urges activists to enlist the food companies in a campaign against overeating just as they engaged beer makers in campaigns against underage drinking and, further, to pressure fast-food restaurants to reduce the size of their fat-laden portions. Having advised society of its duties, Fumento, whose attempts at humor do little to lighten this lecture, instructs individuals to eat the right foods, i.e., high in fiber and low in caloric density; eat only when hungry; and get a reasonable amount of exercise. A sermon on gluttony and sloth and a jeremiad against those who aid, abet, and profit from these sins. (Author tour)

Pub Date: Sept. 1, 1997

ISBN: 0-670-87059-5

Page Count: 352

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 1, 1997

Did you like this book?

No Comments Yet



Noted jazz and pop record producer Thiele offers a chatty autobiography. Aided by record-business colleague Golden, Thiele traces his career from his start as a ``pubescent, novice jazz record producer'' in the 1940s through the '50s, when he headed Coral, Dot, and Roulette Records, and the '60s, when he worked for ABC and ran the famous Impulse! jazz label. At Coral, Thiele championed the work of ``hillbilly'' singer Buddy Holly, although the only sessions he produced with Holly were marred by saccharine strings. The producer specialized in more mainstream popsters like the irrepressibly perky Teresa Brewer (who later became his fourth wife) and the bubble-machine muzak-meister Lawrence Welk. At Dot, Thiele was instrumental in recording Jack Kerouac's famous beat- generation ramblings to jazz accompaniment (recordings that Dot's president found ``pornographic''), while also overseeing a steady stream of pop hits. He then moved to the Mafia-controlled Roulette label, where he observed the ``silk-suited, pinky-ringed'' entourage who frequented the label's offices. Incredibly, however, Thiele remembers the famously hard-nosed Morris Levy, who ran the label and was eventually convicted of extortion, as ``one of the kindest, most warm-hearted, and classiest music men I have ever known.'' At ABC/Impulse!, Thiele oversaw the classic recordings of John Coltrane, although he is the first to admit that Coltrane essentially produced his own sessions. Like many producers of the day, Thiele participated in the ownership of publishing rights to some of the songs he recorded; he makes no apology for this practice, which he calls ``entirely appropriate and without any ethical conflicts.'' A pleasant, if not exactly riveting, memoir that will be of most interest to those with a thirst for cocktail-hour stories of the record biz. (25 halftones, not seen)

Pub Date: May 1, 1995

ISBN: 0-19-508629-4

Page Count: 224

Publisher: Oxford Univ.

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 1, 1995

Did you like this book?

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...



Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

Did you like this book?