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ACCORDIONLY

ABUELO AND OPA MAKE MUSIC

A warm musical celebration of multicultural families

Genhart draws on his own family’s history for inspiration in his newest diversity-celebrating picture book.

Abuelo plays accordion in a mariachi band where he “hoots and hollers” louder than anyone. Opa plays accordion in a polka band where his yodels can “[make] the windows shake.” But when Abuelo and Opa get together at their grandchild’s home, the Mexican-German cultural divide seems a chasm too wide to span. Though both are perfectly polite, an uncomfortable silence begins to settle—until the empathetic protagonist encourages them both to get out their accordions. Through their shared love of music, harmony is soon restored and a bridge built between two cultures. This is a reassuring story, emphasizing that though we may be different we can find common ground, an especially important message for multiracial/multiethnic children who can often feel pulled between competing identities. Burris’ dot-eyed and brightly colored illustrations are darling, highlighting each culture well. The narrator has light-brown skin and dark hair; Abuelo’s side of the family has brown skin and Opa’s, white. As mixed-race families continue to grow, this title is sure to find a ready audience. Notes from both author and illustrator celebrate their own multiethnic backgrounds, which contributed to the story.

A warm musical celebration of multicultural families . (Picture book. 3-6)

Pub Date: April 21, 2020

ISBN: 978-1-4338-3074-7

Page Count: 32

Publisher: Magination/American Psychological Association

Review Posted Online: Feb. 8, 2020

Kirkus Reviews Issue: March 1, 2020

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YOUR BABY'S FIRST WORD WILL BE DADA

Plotless and pointless, the book clearly exists only because its celebrity author wrote it.

A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.

A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.

Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)

Pub Date: June 9, 2015

ISBN: 978-1-250-00934-0

Page Count: 32

Publisher: Feiwel & Friends

Review Posted Online: April 14, 2015

Kirkus Reviews Issue: May 1, 2015

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ONE FAMILY

A visually striking, engaging picture book that sends the message that everyone counts.

A playful counting book also acts as a celebration of family and human diversity.

Shannon’s text is delivered in spare, rhythmic, lilting verse that begins with one and counts up to 10 as it presents different groupings of things and people in individual families, always emphasizing the unitary nature of each combination. “One is six. One line of laundry. One butterfly’s legs. One family.” Gomez’s richly colored pictures clarify and expand on all that the text lists: For “six,” a picture showing six members of a multigenerational family of color includes a line of laundry with six items hanging from it outside of their windows, as well as the painting of a six-legged butterfly that a child in the family is creating. While text never directs the art to depict diverse individuals and family constellations, Gomez does just this in her illustrations. Interracial families are included, as are depictions of men with their arms around each other, and a Sikh man wearing a turban. This inclusive spirit supports the text’s culminating assertion that “One is one and everyone. One earth. One world. One family.”

A visually striking, engaging picture book that sends the message that everyone counts. (Picture book. 3-6)

Pub Date: May 26, 2015

ISBN: 978-0-374-30003-6

Page Count: 32

Publisher: Frances Foster/Farrar, Straus & Giroux

Review Posted Online: Feb. 2, 2015

Kirkus Reviews Issue: Feb. 15, 2015

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