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PORTRAIT OF A NOVEL

HENRY JAMES AND THE MAKING OF AN AMERICAN MASTERPIECE

Not for all readers, but Gorra’s approach will appeal to scholars, fans of the James family, and lovers of important novels...

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT


  • National Book Critics Circle Finalist


  • Pulitzer Prize Finalist

Gorra (English/Smith Coll.; The Bells in Their Silence: Travels Through Germany, 2004, etc.) blends a focused biography of Henry James (1843–1916) with the story of his composition of The Portrait of a Lady (1881).

Throughout this work of astonishing scholarship, Gorra directs our attention to the quotidian life of James (and his remarkable family), his composition of the novel (which first appeared in serial installments in the Atlantic here and Macmillan’s Magazine in England), the significance of the events and characters in the story, and the influence of the novel on the subsequent fiction of James and others. Gorra also blends accounts of his own visits to important James sites in America, England and elsewhere. After a brief introduction to James’ life and to the novel, the author establishes his narrative pattern: chapters about the novel followed by others about James’ activities, family, friends, typists, contemporaries and so on. We read about his relationships with Atlantic editor William Dean Howells and with James’ gifted brother William. We follow his travels to England, France and Italy; we visit his final home in Rye; we view his intimate relationships with Constance Fenimore Woolson and others—including Oliver Wendell Holmes Jr. (Gorra does not accept the suggestion that Holmes and James had sexual encounters). We also see him, near the end of his life, visiting and comforting hospitalized World War I soldiers. But most of Gorra’s book examines Portrait—its creation, significance and revision (for the New York Edition in 1908). The author argues that chapter 42 of the novel, Isabel Archer’s reverie, is “one of James’ greatest achievements and a turning point in the history of the novel.”

Not for all readers, but Gorra’s approach will appeal to scholars, fans of the James family, and lovers of important novels and those who create them.

Pub Date: Aug. 27, 2012

ISBN: 978-0-87140-408-4

Page Count: 384

Publisher: Liveright/Norton

Review Posted Online: May 16, 2012

Kirkus Reviews Issue: June 1, 2012

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TOMBSTONE

THE EARP BROTHERS, DOC HOLLIDAY, AND THE VENDETTA RIDE FROM HELL

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.

The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Pub Date: April 21, 2020

ISBN: 978-1-250-21458-4

Page Count: 400

Publisher: St. Martin's

Review Posted Online: Jan. 19, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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LIVES OTHER THAN MY OWN

The book begins in Sri Lanka with the tsunami of 2004—a horror the author saw firsthand, and the aftermath of which he...

The latest from French writer/filmmaker Carrère (My Life as a Russian Novel, 2010, etc.) is an awkward but intermittently touching hybrid of novel and autobiography.

The book begins in Sri Lanka with the tsunami of 2004—a horror the author saw firsthand, and the aftermath of which he describes powerfully. Carrère and his partner, Hélène, then return to Paris—and do so with a mutual devotion that's been renewed and deepened by all they've witnessed. Back in France, Hélène's sister Juliette, a magistrate and mother of three small daughters, has suffered a recurrence of the cancer that crippled her in adolescence. After her death, Carrère decides to write an oblique tribute and an investigation into the ravages of grief. He focuses first on Juliette's colleague and intimate friend Étienne, himself an amputee and survivor of childhood cancer, and a man in whose talkativeness and strength Carrère sees parallels to himself ("He liked to talk about himself. It's my way, he said, of talking to and about others, and he remarked astutely that it was my way, too”). Étienne is a perceptive, dignified person and a loyal, loving friend, and Carrère's portrait of him—including an unexpectedly fascinating foray into Étienne and Juliette's chief professional accomplishment, which was to tap the new European courts for help in overturning longtime French precedents that advantaged credit-card companies over small borrowers—is impressive. Less successful is Carrère's account of Juliette's widower, Patrice, an unworldly cartoonist whom he admires for his fortitude but seems to consider something of a simpleton. Now and again, especially in the Étienne sections, Carrère's meditations pay off in fresh, pungent insights, and his account of Juliette's last days and of the aftermath (especially for her daughters) is quietly harrowing.

Pub Date: Sept. 13, 2011

ISBN: 978-0-8050-9261-5

Page Count: 256

Publisher: Metropolitan/Henry Holt

Review Posted Online: Aug. 10, 2011

Kirkus Reviews Issue: Sept. 1, 2011

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