DUES

Imagine identifying with a protagonist living on the streets and rocky ledges of East L.A., sustaining himself on wine, dope, and French bread. A bit hard to fathom? By the time David Thorne hits the streets in this book's third section, it seems exactly what we might do in his shoes. But to retrace our steps: This impressive first novel by Vietnam veteran Cooper begins in 1967. A high school genius, Thorne, the first in his family to attend college, drops out after one semester. He works in a factory, gets sent to Vietnam, comes back to the streets. As readers understand before the protagonist does, each stage is worse than the last. Thorne's most appealing characteristic is his normalcy: He's in the war, thrust into terrifying situations, yet his actions and reactions are very much as we imagine our own might be. And a sense of humor makes him almost endearing. Piecing together dead bodies, for example, he holds a finger to his nose and smells Chanel No. 5. Impeccably paced, the combination of boy and man is particularly apt. In a mud-filled river, the sole survivor of his company, he has the wherewithal to tie the dead men's ponchos together to make a raft, braving current and branches, talking to his dead friends as he goes along. The next section begins: ``Being alone is scary.'' The book's tripartite structure works perfectly. Action- filled battle scenes in part two are astutely contrasted with boredom at the factory in part one. It is this long middle section that carries the whole. Here, in focused chapters, complete in themselves yet unified by tone, Cooper gives vivid portraits of the people in the Vietnamese landscape, men who brave the heat, fear for their lives, rape, murder, commit suicide, and deal dope. Hundreds of adjectives could be used to describe this novel: calm, lyrical, poetic, sensitive, tender.... All seem like misnomers. All fit.

Pub Date: Oct. 1, 1994

ISBN: 1-880684-19-5

Page Count: 247

Publisher: Curbstone Press

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Aug. 1, 1994

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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ONE DAY IN THE LIFE OF IVAN DENISOVICH

While a few weeks ago it seemed as if Praeger would have a two month lead over Dutton in their presentation of this Soviet best seller, both the "authorized" edition (Dutton's) and the "unauthorized" (Praeger's) will appear almost simultaneously. There has been considerable advance attention on what appears to be as much of a publishing cause celebre here as the original appearance of the book in Russia. Without entering into the scrimmage, or dismissing it as a plague on both your houses, we will limit ourselves to a few facts. Royalties from the "unauthorized" edition will go to the International Rescue Committee; Dutton with their contracted edition is adhering to copyright conventions. The Praeger edition has two translators and one of them is the translator of Doctor Zhivago Dutton's translator, Ralph Parker, has been stigmatized by Praeger as "an apologist for the Soviet regime". To the untutored eye, the Dutton translation seems a little more literary, the Praeger perhaps closer to the rather primitive style of the original. The book itself is an account of one day in the three thousand six hundred and fifty three days of the sentence to be served by a carpenter, Ivan Denisovich Shukhov. (Solzhenitsyn was a political prisoner.) From the unrelenting cold without, to the conditions within, from the bathhouse to the latrine to the cells where survival for more than two weeks is impossible, this records the hopeless facts of existence as faced by thousands who went on "living like this, with your eyes on the ground". The Dutton edition has an excellent introduction providing an orientation on the political background to its appearance in Russia by Marvin Kalb. All involved in its publication (translators, introducers, etc.) claim for it great "artistic" values which we cannot share, although there is no question of its importance as a political and human document and as significant and tangible evidence of the de-Stalinization program.

Pub Date: June 15, 1963

ISBN: 0451228146

Page Count: 181

Publisher: Praeger

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: June 15, 1963

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